Atlas of Emotion: Journeys in Art, Architecture, and Film

Front Cover
Verso, 2002 - Architecture - 484 pages
Choice: Outstanding Academic Title of the Year; Guardian: Book of the Year; 2004 Kraszna-Krausz Prize Winner

Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's Atlas of Emotion is a highly original endeavor to map a cultural history of spatio-visual arts. Throughout these pages Bruno insists on the inseparability of seeing and travelling. In an evocative montage of words and pictures she emphasizes that the voyeur must also be the voyageur, that "sight" and "site" are irrevocably connected. In so doing, she touches on the art of Gerhard Richter and Annette Messagem; the film-making of Peter Greenaway and Michaelangelo Antonioni; the origins of the movie palace and its precursors, the camera obscura, the curiosity cabinet, the tableaux vivant; and on her own journeys to her native Naples. Visually luscious and daring in conception, the journey for which Bruno is our cicerone opens new vistas and understandings at every turn. This is an affective mapping that ultimately puts us in touch with mental landscapes and inner worlds.
 

Contents

Acknowledgments
vii
PROLOGUE
1
ARCHITECTURE
13
SiteSeeing The Cine City
15
A Geography of the Moving Image
55
TRAVEL
73
Traveling Domestic The Movie House
75
Fashioning Travel Space
111
An Atlas of Emotions
207
An Archive of Emotion Pictures
245
DESIGN
279
M Is for Mapping Art Apparel Architecture Is for Peter Greenaway
281
Film and Museum Architexture Excursus with Gerhard Richters Atlas
329
HOUSE
357
Views from Home
359
My Voyage in Italy
399

GEOGRAPHY
131
The Architecture of the Interior
133
Haptic Routes View Painting and Garden Narratives
171
ART OF MAPPING
205
Notes
421
List of Illustrations
461
Index
467
Copyright

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About the author (2002)

Giuliana Bruno is Professor of Visual and Environmental Studies at Harvard University. She is the author of "Public Intimacy: Architecture and the Visual Arts," and "Streetwalking on a Ruined Map," winner of the 1993 Katherine Kovacs prize for the best book in film studies.

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