Irvine WelshThis first full-length study of Welsh provides a sustained textual and contextual analysis of all his work, from Trainspotting and The Acid House to Glue and Porno. A detailed chronological survey also considers the appropriateness of cultural, postmodern and postcolonial theories to Welsh's incendiary fiction. Kelly gives fascinating insight into the writer's formal and political ambitions, placing him in the context of the "brat pack" which exploded onto the Scottish literary scene in the 1990s. He explores the social, class and political conditioning of Welsh's early life, and its impact on his motivations for writing. |
Contents
Irvine Welsh and the long dark night of late capitalism | 1 |
Trainspotting 1993 | 36 |
The Acid House 1994 | 79 |
Marabou Stork Nightmares 1995 | 101 |
Ecstasy Three Chemical Romances 1996 | 129 |
Filth 1998 | 151 |
Glue 2001 | 175 |
Porno 2002 | 200 |
plotting against power or scheming against the working class? | 220 |
227 | |
238 | |
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Common terms and phrases
Aaron Kelly Acid House adventure asserts become Begbie bourgeois Britain British Bruce capitalism casuals chapter characters Cited in Kelly codes colonial consumer contemporary context conversation with Aaron Cool Britannia cunt discourse dominant drug Duncan economic Ecstasy Edinburgh fantasy feel film Filth football fuckin fucking Gally Gally's gender Glue heroin housing schemes identity Irvine Welsh James Kelman Labour language Leith Lewis Grassic Gibbon literary literature live London Lorraine mainstream male Marabou Stork Nightmares masculinity mates middle-class Muirhouse narrative nation Nikki novel offers oppressed political Porno postmodern rape rave culture reality Rebel Inc Renton Robertson's romance Roy's scene Scotland Scots Scottish sense sexual Sick Boy Sick Boy's social society Spud Spud's Stallybrass Standard English story Subversion tapeworm Terry Thatcher Thatcherite thing tion traditional Trainspotting voice Welsh in conversation whilst William McIlvanney Willy Maley women working-class writing