Passion and Defiance: Film in Italy from 1942 to the Present |
Contents
FIRST ENCOUNTERS BEFORE 1942 | 1 |
OBSESSION 19421944 | 41 |
LACRIMAE RERUM 19441948 | 60 |
NEOREALISM ACT II 19481953 | 90 |
WHAT IS REALITY? | 103 |
NEOREALISM IS LIKE | 129 |
DIFFICULT YEARS 19531959 | 138 |
THE RIFT 19591960 | 160 |
HIGHLIGHTS OF THE SIXTIES | 221 |
THE CHANGING IMAGE OF THE MOVIES 19701982 | 249 |
THE DUSK OF THE LEOPARDS | 289 |
UNDER THE SIGN OF VIOLENCE | 307 |
NOTES | 319 |
361 | |
375 | |
383 | |
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Common terms and phrases
actors aesthetic Alberto Alberto Lattuada American Antonioni artistic attempt authentic Barbaro became Bellocchio Bertolucci Bicycle Thief Bitter Rice Blasetti camera capture Carlo Cavani characters cinema italiano comedy Communist created critics culture death director documentary dolce vita dramatic episodes fascist Federico Fellini Fellini Ferreri film industry film's filmmakers Francesco Futurist German Gianni Giuseppe De Santis historical human images inspired Italian cinema Italian film Italy L'avventura La terra trema Lattuada Luchino Visconti Mario metaphor Miccichè Michelangelo Antonioni Milan movement movie Mussolini narrative Neapolitan neorealism neorealist neorealist films never novel Olmi Open City Ossessione Paisan Paolo Pasolini Pavese peasants Pier Paolo Pasolini plot political postwar production protagonist quoted realism reality relationship Roberto Rossellini role Rome Rosi Santis scene script scriptwriter sequence shot Sica Sica's Sicilian social society Soviet story style Tavianis television terra trema theater theme tion Umberto Umberto D Venice Visconti visual Vittorio woman wrote young Zavattini