Plot: Designing Your Garden

Front Cover
Allen & Unwin, 2005 - Gardening - 440 pages
Full of workable and imaginative ideas about garde
 

Contents

Preface
9
The Orient
15
Identifying your space
28
Site appraisal and analysis
43
Structural plan
51
Use your imagination
61
Fundamentals
69
Connecting the rooms
95
Pastel gardens
278
Green gardens
286
Purple gardens
302
Hot colours
316
Sculpted palette
333
The potager
356
Organic gardens
374
Minimalist gardens
392

The elements of design
101
Tone and colour
112
Colour palette
249
The effect of location and climate
256
The flower border
260
Bold gardens
408
Glossary of terms
422
Acknowledgments
435
Copyright

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Common terms and phrases

Popular passages

Page 258 - ... flowers. I can see no sense in this ; it seems to me like fetters foolishly selfimposed. Surely the business of the blue garden is to be beautiful as well as to be blue. My own idea is that it should be beautiful first, and then just as blue as may be consistent with its best possible beauty. Moreover, any experienced colourist knows that the blues will be more telling — more purely blue — by the juxtaposition of rightly placed complementary colour.
Page 123 - Wild gardening is a delightful, and in good hands a most desirable, pursuit, but no kind of gardening is so difficult to do well, or is so full of pitfalls and of paths of peril.
Page 58 - A border is generally a strip of soil backed by a hedge, wall, fence or path. The planting may be formal (neatly geometrical) or informal (with a wavy edge). Tall plants should be placed at the rear, intermediate plants in front of them and low-growing plants as an edging.
Page 252 - Winter is white with black silhouettes. 1f summer is taken to be a contrast of blues with the orange of golden, bronze grain, it is possible to paint a picture in complementary colours lor every one of the seasons.
Page 74 - A good rule of thumb is to lay a concrete footing twice as wide as the width of the wall and as deep as the wall is wide.
Page 64 - To transfer your planting plan from a piece of graph paper to the garden, take a sharp stick and outline the position for each plant.
Page 60 - To create a visually interesting bed or border, remember to include low edging plants and tall background plants.
Page 56 - A bed is usually an island of soil — square, rectangular, oval, round or kidney-shaped and surrounded by paving or lawn. The most pleasing way to plant beds is to group tall plants in the middle, then circle them with intermediate-height plants and an outer ring of low-growing plants. This 'cookie cutter' style of planting was very popular early in the Victorian era.
Page 296 - Club mosses (Lycopodium sp.), horsetails (Equisetum sp.) and true lerns like maidenhair (Asplenium trichomanes) were a major vegetation type in the Carboniferous period, about 350 million years ago.
Page 372 - This simply means alternating crops so that members of the same family are not grown in the same spot season after season.

About the author (2005)

Meredith Kirton Meredith Kirton professes a lifelong commitment to gardening and horticulture: 'My mother introduced me to the garden. Every weekend she'd take me and my two sisters to nurseries and we'd ride around in the trolleys while she browsed. One year Mum took us to a specialist camellia nursery and we each chose a camellia to plant in the garden. Mine was "Debutante", a fluffy, girly pink double. And every year she'd plant yellow polyanthus under our bedroom window. Meredith always knew she wanted to work in the industry, either as a botanist or a horticulturist. A week at an analytical laboratory washing test tubes for work experience in high school decided her against botany, but a stint at the Royal Botanic Gardens in Sydney 'was just fantastic'. For 10 years Meredith worked in a nursery while studying at school and college. In 1991 she completed an Associate Diploma of Applied Science inUrban Horticulture, at Ryde School of Horticulture and afterwards audited various subjects from the Associate Diploma of Landscape course at the same institution. Since 1997 Meredith has written for some of Australia's most successful gardening and lifestyle magazines - Better Homes and Gardens, Family Circle, Gardening Australia, Australian Horticulture, For Me, Home Beautiful, Inside Out and The Australian Gardener. She has also worked on two top-rating television programs, as designer and contract buyer for Groundforce (Network Seven) and as horticultural researcher for Burke's Backyard (CTC Productions, Channel 9). She has also appeared as both co-host and guest horticulturist on radio 2GB. As a freelance landscape designer Meredith has designed domestic and commercial gardens. For her own turn of the century farmhouse in Sydney she has designed and planted a wildflower and grass meadow in the front garden and a formal garden room at the back, where elegant evergreen shrubs and pleached coffee trees are features. Meredith has also taught at Sydney Community College, the Ryde School of Horticulture and the Ross School of Gardening. Meredith is currently a freelance landscape designer and gardening writer and researcher. She is the gardening editor for the Sun Herald, where she has been writing weekly for two years, she writes for Real Living magazine which is launched in September 2005, and she also writes various garden articles for House and Garden. Meredith is also the horticultural consultant at Home Beautiful. Merediths much awaited book Plot comes after her highly acclaimed and best-selling modern Australian gardening book Dig (Murdoch 2004). Meredith spends much of her time developing a foliage farm on the mid-north NSW coast, specialising in rare and colourful shrubs for cut leaves, stems and fruit. She also grows fruit trees, herbs and vegetables organically for her own family. Mother of two young children, she shares a love of gardening with her husband Michael.

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