Plot: Designing Your GardenFull of workable and imaginative ideas about garde |
Contents
9 | |
15 | |
28 | |
43 | |
51 | |
Use your imagination | 61 |
Fundamentals | 69 |
Connecting the rooms | 95 |
Pastel gardens | 278 |
Green gardens | 286 |
Purple gardens | 302 |
Hot colours | 316 |
Sculpted palette | 333 |
The potager | 356 |
Organic gardens | 374 |
Minimalist gardens | 392 |
The elements of design | 101 |
Tone and colour | 112 |
Colour palette | 249 |
The effect of location and climate | 256 |
The flower border | 260 |
Bold gardens | 408 |
Glossary of terms | 422 |
Acknowledgments | 435 |
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Common terms and phrases
adding allow annuals areas bamboo beautiful become beds blue border bricks building built called century choose climate colour combination concrete consider contrast course covers create decorative easily easy edging effect elements especially example fence floor flowers foliage garden garden design give glass grass gravel green ground grow hard hedge interest keep known landscape leaf leaves light living look maintenance mark materials mulch natural once Opposite organic outdoor paint path pattern paving perennials perfect piece pink plants pond popular pots purple range rock roots scheme screen seed shade shapes shrubs simple soft soil space step stone structure style suitable surface texture tiles timber trees wall water features weeds yellow
Popular passages
Page 258 - ... flowers. I can see no sense in this ; it seems to me like fetters foolishly selfimposed. Surely the business of the blue garden is to be beautiful as well as to be blue. My own idea is that it should be beautiful first, and then just as blue as may be consistent with its best possible beauty. Moreover, any experienced colourist knows that the blues will be more telling — more purely blue — by the juxtaposition of rightly placed complementary colour.
Page 123 - Wild gardening is a delightful, and in good hands a most desirable, pursuit, but no kind of gardening is so difficult to do well, or is so full of pitfalls and of paths of peril.
Page 58 - A border is generally a strip of soil backed by a hedge, wall, fence or path. The planting may be formal (neatly geometrical) or informal (with a wavy edge). Tall plants should be placed at the rear, intermediate plants in front of them and low-growing plants as an edging.
Page 252 - Winter is white with black silhouettes. 1f summer is taken to be a contrast of blues with the orange of golden, bronze grain, it is possible to paint a picture in complementary colours lor every one of the seasons.
Page 74 - A good rule of thumb is to lay a concrete footing twice as wide as the width of the wall and as deep as the wall is wide.
Page 64 - To transfer your planting plan from a piece of graph paper to the garden, take a sharp stick and outline the position for each plant.
Page 60 - To create a visually interesting bed or border, remember to include low edging plants and tall background plants.
Page 56 - A bed is usually an island of soil — square, rectangular, oval, round or kidney-shaped and surrounded by paving or lawn. The most pleasing way to plant beds is to group tall plants in the middle, then circle them with intermediate-height plants and an outer ring of low-growing plants. This 'cookie cutter' style of planting was very popular early in the Victorian era.
Page 296 - Club mosses (Lycopodium sp.), horsetails (Equisetum sp.) and true lerns like maidenhair (Asplenium trichomanes) were a major vegetation type in the Carboniferous period, about 350 million years ago.
Page 372 - This simply means alternating crops so that members of the same family are not grown in the same spot season after season.