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Background of Turkish Dancing
Part TwoThe Ecstatic and Sacred Dancing
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16th century miniature accompanied Alevis arms Asia Ballet Company Bitlis buffoon dancers Central Anatolia Central Asian century miniature TPM ceremonies chain dance choreographed circle colour costumes couple dances culture daggers Dame Ninette dance called dancers dances performed dancing boys dancing girls depicts dervish dancing designed by Osman dressed drum Eastern Anatolia Elazig Erzurum face festival fingers four Gaziantep gengi gestures grotesque dancers halay Halveti hand holding horon Horon dance influence instance instruments Islam Istanbul Kars Kastamonu Kolu Konya London male dancers masks meaning Mevlevi Mevlevi dervish mixed dance movements Ninette de Valois niyaz Ottoman Oytun Turfanda oyun oyunu play posture puppets region religious rhythm samah scene season sema shaman shamanistic shoulders Silifke Sivas sometimes song dance spectators Spoon dancing stag style Sufi symbolic theatre Tokat TPM H tradition Turkey Turkish ballet Turkish dances Turks village wedding whirling woman women word young Yozgat zeybek zikr