Charles Dickens: The World of His Novels, Volume 10

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Harvard University Press, 1958 - Literary Criticism - 346 pages

George Orwell once said of Dickensâe(tm) work: âeoeIt is not so much a series of books, it is more like a world.âe In this book, J. Hillis Miller attempts to identify this âeoeworld,âe to show how a single view of life pervades every novel that Dickens wrote, and to trace the development of this view throughout the chronological span of Dickensâe(tm) career. There are full critical analyses of six of the novelsâe"Pickwick Papers, Oliver Twist, Martin Chuzzlewit, Bleak House, Great Expectations, and Our Mutual Friendâe"and shorter discussions of many of the others. Each novel has been viewed as the transformation of the real world of Dickensâe(tm) experience into an imaginary world with certain special qualities of its own.

Certain elements persist through all the novels, the most important of which are the general situation of the hero at the beginning of the story and the general nature of the world in which he lives. Each of Dickensâe(tm) heroes begins his life cut off from other people, in a world which seems menacing and unfriendly and, on the social side, composed of inexplicable rituals and mysterious conventions; each lives, like Paul Dombey, âeoewith an aching void in his young heart, and all outside so cold, and bare, and strange.âe The heroes then move through successive adventures in an attempt to understand the world, to integrate themselves into it, and thus to find their true identity. Initially creatures of poverty and indigence, those characters reach out for something which transcends the material world and the self, something other than human, which will support and maintain the self without engulfing it. Within the totality of Dickens' novels this problemâe"the search for selfhoodâe"is stated and restated, until, in the later novels, the answer is found to line in a rejections of the past, the given, and the exterior, and a reorientation toward the future and the free human spirit itself as the only true sources of value.

With a real understating and sympathy for his subject, Miller manages to transport us into the midst of Dickensâe(tm) âeoeworldâe and to bring alive for us the whole strange and wonderful tribe that people his novels. This is an enlightening, well-written, enjoyable book for anyone who has ever had an interest in Dickens and his work.

 

Contents

PICKWICK PAPERS I
1
OLIVER TWIST
36
NICHOLAS NICKLEBY THE OLD CURIOSITY SHOP BARNABY RUDGE
85
MARTIN CHUZZLEWIT
98
DOMBEY AND SON DAVID COPPERFIELD
143
BLEAK HOUSE
160
HARD TIMES LITTLE DORRIT A TALE OF TWO CITIES
225
GREAT EXPECTATIONS
249
OUR MUTUAL FRIEND
279
CONCLUSION
328
BIBLIOGRAPHY
337
INDEX
341
Copyright

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About the author (1958)

J. Hillis Miller, Jr. (born March 5, 1928) is an American literary critic. He was born in Newport News, Virginia and graduated from Oberlin College. He also went on to earn a master's degree from Harvard University. From 1952 to 1972, Miller taught at Johns Hopkins University. Miller's works include The Disappearance of God: Five Nineteenth-Century Writers; The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy; Versions of Pygmalion; Hawthorne & History: Defacing It; Literature as Conduct: Speech Acts in Henry James; The Conflagration of Community: Fiction Before and After Auschwitz, and Reading for Our Time: Adam Bede and Middlemarch Revisited.

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