Hebrew Verse Structure

Front Cover
Eisenbrauns, 1980 - History - 629 pages

In this extensive and eclectic reconsideration of classical Hebrew poetics, O'Connor evaluates the assumptions that have guided scholars for more than two hundred years. The result is "a great leap forward in the analysis and interpretation of early Hebrew poetry." (David Noel Freedman)

 

Contents

353 Three constituent phrase lines
358
THE WORDLEVEL TROPE OF REPETITION
361
411 Nomina with continuity in constituent position
362
412 Nomina with discontinuity in constituent position
363
414 Verbs with discontinuity in constituent position
364
42 Buried simple repetition and the figura etymologica
365
43 Nonlocal repetition on common ground
366
44 Nonlocal repetition without common ground
367

132 Objections to the Standard Description on the basis of meter
37
133 Modified Standard Descriptions
38
134 Alleged supports for the Standard and Modified Standard Descriptions
39
1341 Musicality
40
1342 Orality
42
135 Two programs for variant descriptions
48
136 Objections to the Standard and Modified Standard Descriptions on the basis of parallelism
50
137 A final objection to previous descriptions
52
14 The constriction of Hebrew verse
54
141 The character of verse and meter
55
142 The role of syntax in meter
60
143 Meter and nonmeter
64
144 A preliminary statement of Hebrew verse constriction
67
145 Major grammatical features of the constriction
78
146 A restatement of the constriction
86
15 The tropes of Hebrew verse
87
151 Parallelism
88
152 Parallel pairs dyads orality and formularity
96
153 The wordlevel trope of repetition
109
binomination coordination and combination
112
155 Syntax word order harmonics and iconics
115
156 The linelevel trope of matching
118
157 The linelevel trope of gapping
122
158 The supralinearlevel tropes
129
159 The system of tropes the bicolon the tricolon and related phenomena
132
16 The structure system and texture of Hebrew verse
137
161 Gross structural features
141
162 Ornamentation
142
163 Figuration
144
17 The fine structure of Hebrew verse
146
172 Constriction in other languages
152
173 The origins of constrictional verse orality and a word on music
159
18 The plan of the essay
163
182 The study
165
THE TEXTS
167
21 Genesis 49 The Testament of Jacob
169
22 Exodus 15 The Song at the Sea
178
23 Numbers 2324 The Oracles of Balaam
185
24 Deuteronomy 32 The Song of Moses
194
25 Deuteronomy 33 The Testament of Moses
207
26 Judges 5 The Song of Deborah
218
27 2 Samuel JThe Lament of David
230
28 Habaqquq 3 The Psalm of Habaqquq
233
29 Zephaniah 1
240
210 Zephaniah 2
248
211 Zephaniah 3
255
212 Psalm 78
263
213 Psalm 106
278
214 Psalm 107
288
FINE STRUCTURE
297
311 Particles
300
313 Verbs
303
32 Grammatical analysis
304
321 Particles
305
322 Clause predicators
306
323 Nominal phrase structure
308
324 Participles and infinitives
311
325 Constituents
313
326 Units
314
327 A definition of the line
315
328 Line types
316
329 The structure of the lines of the corpus
320
3210 Dependent clauses
322
33 Single clause predicated lines of two or three constituents
323
331 Single independent verbal clause lines of two constituents
326
332 Single independent verbal clause lines of two constituents VS
327
333 Single independent verbal clause lines of two constituents VO
328
337 Single independent verbal clause lines of two constituents OV
329
3311 Single independent verbal clause lines of two constituents PS
330
3316 Single dependent verbal clause lines of two constituents
331
3317 Single dependent verbal clause lines of two constituents Nonfinite clauses infinitives
332
3321 Single dependent verbal clause lines of two constituents Finite clauses temporal clauses
333
3324 Single verbless clause lines of two constituents SubjectPredicate
334
3327 Single independent verbal clause lines of three constituents VSO
337
3332 Single independent verbal clause lines of three constituents VAS
338
3336 Single independent verbal clause lines of three constituents VPO
339
3341 Single independent verbal clause lines of three constituents SVP
340
3345 Single independent verbal clause lines of three constituents A VS
341
3350 Single independent verbal clause lines of three constituents PVP
342
3355 Single independent verbal clause lines of three constituents SA V
343
3360 Single independent verbal clause lines of three constituents PPV
344
3362 Single dependent verbal clause lines of three constituents Nonfinite clauses infinitives
345
3366 Single dependent verbal clause lines of three constituents Finite clauses temporal and concessive clauses
346
34 Other predicated lines
347
341 Double clause lines of three constituents
348
342 Double clause lines of three constituents Coordinate independent verbal clauses
349
343 Double clause lines of three constituents Independent verbal clauses with quotational clauses
350
346 Double clause lines of three constituents Independent verbal clauses with vocatives
351
349 Double clause lines of three constituents Independent verbless clauses with vocatives
352
3413 Double clause lines of three constituents Subordinate verbal clauses with vocatives
353
3415 Double clause lines of two constituents Coordinate independent verbal clauses
354
3419 Single clause lines of four constituents
355
35 Nominal lines
356
351 Three constituent phraseclause lines
357
45 Juxtapositions
368
46 Summary
369
THE WORDLEVEL TROPES OF COLORATION BINOMINATION COORDINATION AND COMBINATION
371
511 Divine binomination
372
512 Numinous binomination
373
513 Personal binomination
374
514 Social organization binomination
375
515 Geographical binomination
376
52 Coordination
377
523 Emblematic coordination
378
531 Construct combination
379
533 Construct combination without repetition Three member construct chains
382
534 Construct combination with repetition
383
536 Adjectival combination
384
537 Appositional combination
385
54 Burial
387
55 Summary
389
THE LINELEVEL TROPE OF MATCHING
391
61 Two line matches
392
612 Independent verbal clause lines of three constituents
393
613 Independent verbless clause lines
395
615 Double clause lines with verbal coordination
396
62 Three line matches
397
622 Independent verbal clause lines of three constituents
398
631 Independent verbal clause lines of two constituents
399
65 Summary
400
THE LINELEVEL TROPE OF GAPPING AND RELATED PHENOMENA
401
711 Rightward verb gapping
402
712 Leftward verb gapping
404
73 Particle gapping
405
732 Negative gapping
406
THE SUPRALINEARLEVEL TROPE OF SYNTACTIC DEPENDENCY
409
811 Passages with a quotative frame
412
812 Other quotative passages
414
821 Phrase lines
415
822 Phraseclause and dependent clause lines
416
823 Phrase lines phraseclause lines and dependent clause lines
417
83 Passages with verbless clause cores
419
84 Independent noun phrases
420
THE SUPRALINEARLEVEL TROPE OF MIXING
421
92 Phrase mixing
422
GROSS STRUCTURE
423
101 Poems with plain articulations
425
1012 Deuteronomy 33 The Testament of Moses
433
1013 Numbers 2324 The Oracles of Balaam
443
1014 Summary
451
1015 Reconsideration
460
102 Poems with burdens
466
1021 2 Samuel 1 Davids Lament
468
1022 Exodus 15 The Song at the Sea
471
1023 Psalm 107
475
1024 Summary
481
103 Other individual poems
482
1032 Judges 5 The Song of Deborah
487
1033 Psalm 106
493
1034 Deuteronomy 32 The Song of Moses
498
1035 Psalm 78
504
104 The Book of Zephaniah
511
1041 Zephaniah 1
513
1042 Zephaniah 2
516
1043 Zephaniah 3
519
1044 The Poem of Zephaniah
522
105 Summary
526
1051 Staves
527
1052 Batches
529
1053 Burdens
533
1055 Troping
534
1057 Weight
535
1059 Figuration
536
10510 A last word
537
THE TEXTS
541
Exodus 15 The Song at the Sea
543
Numbers 2324 The Oracles of Balaam
544
Deuteronomy 32 The Song of Moses
546
Deuteronomy 33 The Testament of Moses
550
Judges 5 The Song of Deborah
552
2 Samuel 1 The Lament of David
555
Habaqquq 3 The Psalm of Habaqquq
556
Zephaniah 1
558
Zephaniah 2
559
Zephaniah 3
561
Psalm 78
563
Psalm 106
567
Psalm 107
570
BIBLIOGRAPHY
573
INDEXES
601
AUTHOR INDEX
615
SCRIPTURE INDEX
619
WORD INDEX
624
Phoenician
628
Arabic
629
Errata to the First Printing
630
AN AFTERWORD TO HEBREW VERSE STRUCTURE
631
Copyright

Common terms and phrases

Popular passages

Page 13 - The poetic function projects the principle of equivalence from the axis of selection into the axis of combination.
Page 7 - The English Language is perhaps of all the present European Languages by much the most simple in its form and construction. Of all the ancient Languages extant That is the most simple, which is undoubtedly the most ancient ; but even that Language itself does not equal the English in simplicity.
Page 3 - If external action is effete and rhyme is outmoded, I shall revert to you, Habakkuk, as on a recent occasion I was goaded into doing by XY, who was speaking of unrhymed verse. This man said — I think that I repeat his identical words: Hebrew poetry is prose with a sort of heightened consciousness.
Page 6 - The poetic resources concealed in the morphological and syntactic structure of language, briefly the poetry of grammar, and its literary product, the grammar of poetry, have been seldom known to critics and mostly disregarded by linguists but skillfully mastered by creative writers.
Page 56 - ... structure — he uses the phonological principles that he controls to determine a phonetic shape. The hypothesis will then be accepted if it is not too radically at variance with the acoustic material, where the range of permitted discrepancy may vary widely with conditions and many individual factors. Given acceptance of such a hypothesis, what the hearer "hears" is what is internally generated by the rules.
Page 15 - Many such seemingly radical changes in poetic form are actually more or less automatic responses to linguistic change. Alliteration, for example, seems to be found as an obligatory formal element only in languages where the stress regularly falls on the same syllable in the word, which then must be the alliterating syllable.
Page 61 - No doubt, verse is primarily a recurrent "figure of sound." Primarily, always, but never uniquely. Any attempts to confine such poetic conventions as meter, alliteration, or rhyme to the sound level are speculative reasonings without any empirical justification. The projection of the equational principle into the sequence has a much deeper and wider significance. Valery's view of poetry as "hesitation between the sound and the sense

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