Mourning Sex: Performing Public Memories

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Psychology Press, 1997 - Family & Relationships - 187 pages
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This is a book about the exhilaration and the catastrophe of embodiment. Analyzing different instances of injured bodies, Peggy Phelan considers what sustained attention to the affective force of trauma might yield for critical theory. Advocating what she calls "performative writing", she creates an extraordinary fusion of critical and creative thinking which erodes the distinction between art and theory, fact and fiction.
The bodies she examines here include Christ's, as represented in Caravaggio's painting The Incredulity of St Thomas, Anita Hill's and Clarence Thomas's bodies as they were performed during the Senate hearings, the disinterred body of the Rose Theatre, exemplary bodies reconstructed through psychoanalytic talking cures, and the filmic bodies created by Tom Joslin, Mark Massi, and Peter Friedman in Silverlake Life: The View From Here.
This new work by the highly-acclaimed author of Unmarked makes a stunning advance in performance theory in dialogue with psychoanalysis, queer theory, and cultural studies.

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User Review  - deliriumslibrarian - LibraryThing

Holy crap, this is an amazing book. Much sitting down is needed after reading it... Angry, resurgent, observant, alarming and needful. Read full review

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Contents

bodies at the vanishing point
23
psychoanalysis
44
disinterring the Rose Theatre
73
hearing Anita Hill
95
Rodney King and Holbeins
119
Dying Man With A Movie Camera
153
Bibliography
174
Copyright

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References from web pages

Smalec, "The Therapeutic Stage/Page: Facts and Fictions about the ...
In Mourning Sex: Performing Public Memories, Peggy Phelan takes performance and performative writing as bases from which to probe the relationship between ...
muse.jhu.edu/ journals/ postmodern_culture/ v009/ 9.1r_smalec.html

Institute for the Study of Culture and Society
Her most recent book, Mourning Sex: Performing Public Memories (Routledge, 1996), explores how performance reflects the narratives of sex, loss, ...
www.bgsu.edu/ offices/ ics/ pls/ 1998.htm

Journal of Visual Culture
Mourning Sex: Performing Public Memories (Routledge, 1997) and the. forthcoming Death Rehearsals: The Performances of Andy Warhol and Ronald. Reagan. ...
vcu.sagepub.com/ cgi/ reprint/ 2/ 3/ 291.pdf?ck=nck

Additional readings for course 44942
1997 Mourning sex: performing public memories (London: Routledge). BF 175.5 P75 P48; Rapaport, Herman 2003 Later Derrida: reading the recent work (New York: ...
micro5.mscc.huji.ac.il/ ~english/ 44942Readings.html

11 Index 172-177
Mourning Sex: Performing Public Memories by Peggy Phelan”. (Book Review). :–. Chang, Carlisle, “Chinese in Trinidad Carnival”. :– ...
www.mitpressjournals.org/ doi/ pdf/ 10.1162/ dram.1998.42.4.172

[Visual-arts] SAIC visiting artists
Her books include Acting Out: Feminist Performances (co-editor), Mourning Sex: Performing Public Memories (1997), and with Helena Reckitt, Art and Feminism ...
listhost.uchicago.edu/ pipermail/ visual-arts/ 2006-March/ 000057.html

Performance and Technology--Spring 2002
Mourning Sex: Performing Public Memories. London: Routledge, 1997. 153-73. Birringer, Johannes. “Media Activism.” Media and Performance: Along the Border. ...
www.cas.usf.edu/ ~mchvasta/ syllabi/ perfandtech_spring02.html

K:\sagepub\highered\Prod\Jrnls\Our Documents\JPROD\Arch2000\QIQ ...
Mourning sex: Performing public memories. Boston: Routledge. Shea, T. (1997). Scratched into the tree of original sin’s bark. American Poetry Review, 26, ...
www.ingentaconnect.com/ content/ sage/ j323/ 2000/ 00000006/ 00000002/ art00006

De/Territorialized Practices
In Peggy Phelan's book 'Mourning Sex, Performing Public memories', she. writes on the study case of Anna O. Who was treated by Josef Breuer, (the ...
oreetashery.net/ file_download/ 4/ de_territory.pdf

11 Art Histories and Visual Culture Studies
Peggy Phelan's book Mourning Sex Performing Public Memories (published. 1997) is, quite literally, a very hybrid body of writing. The text resembles ...
ywcct.oxfordjournals.org/ cgi/ reprint/ 8/ 1/ 139.pdf

About the author (1997)

Peggy Phelan is Chair of the Department of Performance Studies at Tisch School of the Arts, New York University.

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