The Shock of the NewAn illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Page 97
... style of Italian fascism in the years after Mussolini's March on Rome . Marinetti provided Mussolini with his platform style , a rhetoric of newness , youth , anti - feminism , violence , war fever , and , uniting all these social ...
... style of Italian fascism in the years after Mussolini's March on Rome . Marinetti provided Mussolini with his platform style , a rhetoric of newness , youth , anti - feminism , violence , war fever , and , uniting all these social ...
Page 167
... style in world design : the Liberty Style , as it was known in Italy , or el modernismo in Barcelona or , as we call it today , Art Nouveau . The mannered rhythms and lavishly contradictory use of materials in Art Nouveau make up an ...
... style in world design : the Liberty Style , as it was known in Italy , or el modernismo in Barcelona or , as we call it today , Art Nouveau . The mannered rhythms and lavishly contradictory use of materials in Art Nouveau make up an ...
Page 192
... Style in Europe during the 1920s was Germany ; and its centre was a school in Weimar named the Bauhaus . Ever since , " Bauhaus " has been synonymous with rationalized , sharp - edge , machine - based style . Yet no other art school or ...
... Style in Europe during the 1920s was Germany ; and its centre was a school in Weimar named the Bauhaus . Ever since , " Bauhaus " has been synonymous with rationalized , sharp - edge , machine - based style . Yet no other art school or ...
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Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York