To the Lighthouse

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Wordsworth Editions, Jan 1, 1994 - Fiction - 159 pages
89 Reviews
To the Lighthouse features the serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests who are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Virginia Woolf constructs a moving examination of the complex tensions and allegiances of family life and the conflicts within a marriage.
  

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I enjoyed the beautiful writing. - LibraryThing
at first it was very difficult to read it continously. - LibraryThing
There is no plot, there is only rambling. - LibraryThing
Also, I was very disappointed in the ending. - LibraryThing
The writing style was fascinating. - LibraryThing
The epitome of subjectivity in writing. - LibraryThing

LibraryThing Review

User Review  - jnwelch - LibraryThing

In To the Lighthouse, set on the Isle of Skye around the time of the first World War, 6 year old James Ramsay wants to go to the lighthouse, and has his mother's support, but his father says the ... Read full review

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User Review  - JVioland - LibraryThing

Well, this was good. I was able to judge the book by the thoughts of a girl who visited an island for a number of years with her family. I felt her emotions and experienced her environment by reading her mind. Superb writing. Read full review

Selected pages

Contents

Section 1
3
Section 2
19
Section 3
93
Section 4
109
Section 5
140
Section 6
155
Copyright

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About the author (1994)

Virginia Woolf was born in London, the daughter of the prominent literary critic Leslie Stephen. She never received a formal university education; her early education was obtained at home through her parents and governesses. After death of her father in 1904, her family moved to Bloomsbury, where they formed the nucleus of the Bloomsbury Group, a circle of philosophers, writers and artists. As a writer, Woolf was a great experimenter. She scorned the traditional narrative form and turned to expressionism as a means of telling her story. Mrs. Dalloway (1925) and To The Lighthouse (1927), her two generally acknowledged masterpieces, are stream-of-consciousness novels in which most of the action and conflict occur beneath a surface of social decorum. Mrs. Dalloway, set in London shortly after the end of World War I, takes place on a summer's day of no particular significance, except that intense emotion, insanity, and death intrude.To the Lighthouse's long first and third sections, each of which concerns one day 10 years apart, of the same family's summer holidays, are separated and connected by a lyrical short section during which the war occurs, several members of the family die, and decay and corruption run rampant. Orlando (1928) is the chronological life story of a person who begins as an Elizabethan gentleman and ends as a lady of the twentieth century; Woolf's friend, Victoria Sackville-West, served as the principal model for the multiple personalities. (The book was made into a movie in 1993.) Flush (1933) is a dog's soliloquy that, by indirection, recounts the love story of Robert Browning and Elizabeth Barrett Browning and their elopement and life in Florence. Her last short novel, Between the Acts (1941), was left without her final revision, but it is, nonetheless, a major representation of a society on the verge of collapse. Having had periods of depression throughout her life and fearing a final mental breakdown from which she might not recover, Woolf drowned herself in 1941. Her husband published part of her farewell letter to deny that she had taken her life because she could not face the terrible times of war. Leonard Woolf also edited A Writer's Diary (1953), which provides valuable insights into his wife's private thoughts and literary development. Equally informative are his own autobiographies, particularly Beginning Again and Downhill All the Way (1967), and The Letters of Virginia Woolf and Lytton Strachey . Virginia Woolf's Granite and Rainbow contains 27 essays on the art of fiction and biography. There are many sidelights on Woolf in the writings, letters, and biographies of other members of her Bloomsbury circle, such as Roger Fry, John Maynard Keynes (see Vol. 3), and Lytton Strachey (see Vol. 3). Also casting much light on her life, thought, and creative processes are The Common Reader (1925), The Second Common Reader (1933), A Room of One's Own (1929), Three Guineas (1938), The Captain's Death Bed and Other Essays, The Death of the Moth and Other Essays (1942), and various collections of her autobiographical writings, diaries, and letters. In addition, in recent years there has been a veritable industry of writers dealing with Woolf and her work.

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