The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart

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Neal Zaslaw, William Cowdery
W. W. Norton & Company, 1990 - Biography & Autobiography - 351 pages
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Published to coincide with the 200th anniversary of Mozart's death in 1791, this book is designed to be a guide to the composer's works and is aimed at the music-lover who wishes to read something informative about any particular piece. Although there are many books which deal with the handful of famous operas, symphonies, concertos, or string quartets upon which Mozart's reputation rests, this collection contains in a single volume details about any work composed by Mozart and where, when and why he wrote it, what it is like, and what special significance it may have.
  

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Contents

Masonic Music
35
Concert Arias Duets Trios and Quartets
72
Canons
98
Church Sonatas
109
Symphonies and Symphonic Movements
161
Dances
216
Serenades Divertimentos and Marches
226
Chamber Music with a Key board Instrument
275
Solo Key board Music
304
Appendix A A Brief Introduction to the Kochel Catalogue
331
General Index
339
Copyright

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References from web pages

The Mozart Project: The Compleat Mozart: A Guide to the Musical ...
The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart. Editor: Zaslaw, Neal, with Cowdery, William Published: New York: ww Norton ...
www.mozartproject.org/ books/ zaslaw.html

JSTOR: Mozart's Thematic Catalogue: A Facsimile
The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart. Edited by Neal Zaslaw with William Cowdery. New York: Mozart Bicentennial at ...
links.jstor.org/ sici?sici=0027-4380(199112)2%3A48%3A2%3C484%3AMTCAF%3E2.0.CO%3B2-S

The Mozart Mystique - In Celebration of His 250th Birthday!
The Compleat Mozart : A Guide to the Musical Works of Wolfgang Amadeus Mozart, The Compleat Mozart : A Guide to the Musical Works of Wolfgang Amadeus Mozart ...
www.answerpoint.org/ reading_room/ book_list.asp?sort=101& list=2192

Bertil H. Van Boer - Mozart Handbuch (review) - Notes 63:3
Reviewed by. Bertil van Boer. Western Washington University. Mozart Handbuch. Edited by Silke Leopold. Kassel: Bärenreiter, 2005. [xii, 719pp. ...
muse.jhu.edu/ journals/ notes/ v063/ 63.3boer.html

Cornell News: Re-editing Mozart catalogue
In 1991, Zaslaw published The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart (Norton) with William Cowdery, another Cornell Ph.D. ...
www.news.cornell.edu/ releases/ June98/ zaslaw.mozart.koechel.html

Wolfgang Amadeus Mozart | Austrian Composer
The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart - Author: Neal Zaslaw, William Cowdery (Editor) ...
www.lucidcafe.com/ library/ 96jan/ mozart.html

All about Oscar
The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart (1990), provides brief but useful discussions of all of his music, ...
www.britannica.com/ oscar/ article-15652

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Dr. Kellie Brown - Syllabi
Belmont, CA: Thompson Schirmer. Zaslaw, N. & Cowdery, W. (1990). The Compleat Mozart: A Guide To the Musical Works of W. A. Mozart. New York: Norton. ...
www.milligan.edu/ music/ kbrown/ syllabi.htm

About the author (1990)

John Spitzer studied with Reuben Brower and Barrington Moore at Harvard, where he received his first degree. He studied musicology and ethnomusicology at Cornell University with William Austin, James Webster, Sotiros Chianis, and Bell Yung. He held a Postdoctoral Fellowship at the University of
Pittsburgh (1983-84), then taught at the University of Michigan (1984-87). In 1987 he joined the faculty of the Peabody Conservatory of the Johns Hopkins University in Baltimore, MD. He has published scholarly articles on the history of the orchestra, American song, authorship and authenticity, and
the relations between Western and non-Western music, as well as music reviews and articles in newspapers, magazines, dictionaries, and encyclopedias.
Neal Zaslaw holds degrees from Harvard, The Juilliard School, and Columbia University. He is the author of more than 65 articles on baroque music, historical performance practices, Mozart, and the early history of the orchestra, as well as numerous books, including Mozart's Symphonies: Context,
Performance Practice, Reception (Oxford, 1989), The Classical Era from the 1740s to the End of the 18th Century (Macmillan, 1989), and, most recently, Mozart's Piano Concertos: Text, Context, Interpretation (University of Michigan Press, 1995). A member of the Zentralinstitut der
Internationale Stiftung Mozarteum and the American Academy of Arts & Sciences, Zaslaw has taught at Cornell University since 1970.

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