Identity and Locality in Early European Music, 1028-1740Jason Stoessel This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre modern and early modern European culture. |
Contents
Adémar de Chabannes at the Nexus of Tradition and Innovation | 13 |
Seeking Early Practice for the Exultet in Iberia 27 227 | 29 |
Kathleen E Nelson | 36 |
Plainsong in Eastern Spain and the tono valenciano | 55 |
Some Early References to Aristotles Politics in Parisian Writings | 83 |
Music and Moral Philosophy in Early FifteenthCentury Padua | 107 |
Other editions - View all
Common terms and phrases
Adémar de Chabannes Adone et Amore antiphons Aristotle Aristotle's Politics Augsburg Ave Maria Biblioteca Bishop Boethius Boötes borrowing Braga Breviary Cambridge cantiones cantus carol Carrara Cathedral Celtis century ceremonies chant church commentary composed copy copyist cultural Dresden E-Mh Aemil 18 E-VAcp Early Music edition example Exultet F-Pn feast Francesco GB-Och Grier Hierusalem HStCal humanist I-MC Ibid identity imitatio imitation Introit Italian Johannes Ciconia Josquin Latin Leiria Liber selectarum Limoges Lisbon liturgy Ludwig Senfl manuscripts Maria Josepha mass Meconi Medieval Music melodies Missal modes Moerbeke Moosburg Gradual motet musical practices musicians Naples notation notes Padua Paris performed Peter of Auvergne plainsong Politicorum polyphonic preface Prince prints quod Quodlibet refers Reinhard Strohm Renaissance Renaissance Music Rhetoric Roman Rome Royal Chapel Saint Martial Scarlatti Segorbe Senfl's serenata singing sixteenth-century songs sources Spain Spanish sung Thomas tones tradition tropes University US-BEm Valencia Venere Vergerio Zelenka