The Aesthetics of Comics |
Contents
CARICATURE OR REPRESENTING CAUSAL CONNECTION | 2 |
THE SPEECH BALLOON OR THE PROBLEM OF REPRESENTING OTHER MINOS | 27 |
THE IMAGE SEQUENCE OR MOVING MODERNIST PICTURES | 47 |
WORDS AND PICTURES BOUND TOGETHER OR EXPERIENCING THE UNITY OF COMICS | 61 |
INTERPRETING COMICS | 75 |
THE CONTENT OF THE FORM OR SEEING PICTURES READING TEXTS VIEWING COMICS | 77 |
INTERPRETING A POPULIST ART FORM OR THE LIBERATING FORCE OF KRAZY KAT | 87 |
THE PLACE OF COMICS IN RELATION TO ART HISTORY | 105 |
POSTHISTORICAL ART OR COMICS AND THE REALM OF ABSOLUTE KNOWLEDGE | 107 |
| 125 | |
| 137 | |
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Common terms and phrases
action Adam Gopnik aesthetic Alexander Nehamas analysis argues art form Art History art's Arthur artwork audience Batman Baudelaire Baudelaire's caricature cartoon chap Chapter characters comic strip comics artists contrast Criticism Danto Daumier David Carrier depicted discussion E. H. Gombrich Early Comic Strip elements Essays essentially experience Film Gary Larson George Herriman Gombrich Hegel Hergé High Art historians history of art identify Ignatz images imagine individual interpretation Kitchen Sink Press Krazy Kat Kunzle Kunzle's Li'l Abner Little Nemo look Mass modernist museum narrative sequence nature novel object Offissa Pupp Pächt Painter of Modern panels philosophical picture space Piero's political Popular Culture posthistorical art Poussin present Princeton problem reader representation Robert scenes speaking speech balloon story Superman tell theory thoughts Tintin tion tradition trans Understanding Comics unity University Press verbal viewer visual art Warhol Winsor McCay writes York