D'Aulaires' Book of Norse Myths

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New York Review of Books, May 31, 2005 - Juvenile Fiction - 160 pages
The Caldecott medal-winning d'Aulaires once again captivate their young audience with this beautifully illustrated introduction to Norse legends, telling stories of Odin the All-father, Thor the Thunder-god and the theft of his hammer, Loki the mischievous god of the Jotun Race, and Ragnarokk, the destiny of the gods. Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.
 

Selected pages

Contents

The First Gods and Giants
12
The Creation of the World
21
The Creation of Man
26
Yggdrasil the World Tree
31
Asgard and the Aesir Gods
36
Odin the Allfather
38
Thor the Thundergod
40
Loki the God of the Jotun Race
42
Frigg and the Goddesses
80
Freyas Wonderful Necklace
84
Idunns Apples of Youth
87
Shade the Skigoddess
91
Frey and Gerd the Jotun Maiden
96
The Theft of Thorns Hammer
100
Thor and the Jotun Geirrod
104
Thor and the Jotun Utgardsloki
108

Sifs Golden Hair
44
Lokis Monstrous Brood
50
Balder the God of Light
54
Heimdall the Watchman of Asgard
56
Njord Frey and Freya
58
Bragi God of Poetry
64
Odins Eightlegged Steed
68
The Valkyries and Valhalla
72
Thor and the Jotun Rungnir
117
Thor and the Jotun Aegir
120
The Death of Balder
128
Lokis Punishment
137
Ragnarokk the Destiny of the Gods
140
A New World
151
Readers Companion
156
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About the author (2005)

Ingri Mortenson and Edgar Parin d’Aulaire met at art school in Munich in 1921. Edgar’s father was a noted Italian portrait painter, his mother a Parisian. Ingri, the youngest of five children, traced her lineage back to the Viking kings.

The couple married in Norway, then moved to Paris. As Bohemian artists, they often talked about emigrating to America. “The enormous continent with all its possibilities and grandeur caught our imagination,” Edgar later recalled.

A small payment from a bus accident provided the means. Edgar sailed alone to New York where he earned enough by illustrating books to buy passage for his wife. Once there, Ingri painted portraits and hosted modest dinner parties. The head librarian of the New York Public Library’s juvenile department attended one of those. Why, she asked, didn’t they create picture books for children?

The d’Aulaires published their first children’s book in 1931. Next came three books steeped in the Scandinavian folklore of Ingri’s childhood. Then the couple turned their talents to the history of their new country. The result was a series of beautifully illustrated books about American heroes, one of which, Abraham Lincoln, won the d’Aulaires the American Library Association’s Caldecott Medal. Finally they turned to the realm of myths.

The d’Aulaires worked as a team on both art and text throughout their joint career. Originally, they used stone lithography for their illustrations. A single four-color illustration required four slabs of Bavarian limestone that weighed up to two hundred pounds apiece. The technique gave their illustrations an uncanny hand-drawn vibrancy. When, in the early 1960s, this process became too expensive, the d’Aulaires switched to acetate sheets which closely approximated the texture of lithographic stone.

In their nearly five-decade career, the d’Aulaires received high critical acclaim for their distinguished contributions to children’s literature. They were working on a new book when Ingri died in 1980 at the age of seventy-five. Edgar continued working until he died in 1985 at the age of eighty-six.

Michael Chabon is the author of several books, including The Mysteries of Pittsburgh, Wonder Boys, The Amazing Adventures of Cavalier and Klay, The Yiddish Policeman’s Union, Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son and, most recently, Telegraph Avenue.

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