American Visions: The Epic History of Art in America

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Knopf, 1997 - Art - 635 pages
12 Reviews
The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced:. "O My America, My New Founde Land" explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. "The Republic of Virtue" sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. "The Wilderness and the West" discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as "the fingerprint of God's creation," and of those who recorded America's westward expansion - George Caleb Bingham, Albert Bierstadt, and Frederic Remington - and the accompanying shift in the perception of the Indian, from noble savage to outright demon. "American Renaissance" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. "The Gritty Cities" looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. "Early Modernism" introduces the first American avant-garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. "Streamlines and Breadlines" surveys the boom years, when skyscrapers and Art Deco were all the rage ... and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans "the way we live now." "The Empire of Signs" examines the American hegemony after World War II, when the Abstract Expressionists (Jackson Pollock, Willem de Kooning, Mark Rothko, et al.) ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the Pop artists, and Andy Warhold, while individualists such as David Smith and Joseph Cornell marched to their own music. "The Age of Anxiety" considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 1990s.

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Review: American Visions: The Epic History of Art in America

User Review  - Eric McLean - Goodreads

This is a great book for anyone looking to understand/appreciate/learn more about American art. Robert Hughes is a talented writer and I enjoyed reading between the lines on some of non-American humor ... Read full review

Review: American Visions: The Epic History of Art in America

User Review  - Darraghmc80 - Goodreads

I found this big informative lump of a book in the charity shop. Speaking of big informative lumps, Robert Hughes is fun to read. He's nothing if not opinionated and this history is very clearly ... Read full review

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PBS | About This Site . Retired Site
This Web site, provided by the Public Broadcasting Service (PBS), is home to more than 350 television show companion sites in addition to Web-original sites ... wnet/ americanvisions/

American Visions: The Epic History of Art in America by Robert Hughes
American Speeches, Letters, and Documents On-Line Library · Constitutional Convention · Ratification of the Constitution Ashbrook Columnists ... books/ hughes.html

American Visions: The Epic History of Art in America
CHAPTER ONE. American Visions: The Epic History of Art in America. By ROBERT HUGHES. Alfred A. Knopf. Read the Review. O MY AMERICA, MY NEW FOUNDE LAND ... books/ first/ h/ hughes-visions.html

Portfolio at NYU
Robert Hughes, American Visions: The Epic History of Art in America (Knopf, 1997) Reissued in paperback by Knopf in 1999. ... portfolio/ books/ book423.html

JSTOR: American Visions: The Epic History of Art in America.
American Visions: The Epic History of Art in America. By Robert Hughes. (New York: Knopf, 1997. x, 635 pp. $65.00, ISBN 0-679-42627-2. ... sici?sici=0021-8723(199806)85%3A1%3C200%3AAVTEHO%3E2.0.CO%3B2-H

Robert Hughes `American Visions'
By William Hosley. Ken Burns, of Civil War fame, speaks of television as the "monster we've created" that is "eroding our strength from within" by producing ... archive/ vision.htm

Art in America: American Visions: The Epic History of Art in ...
American Visions: The Epic History of Art in America. - television program reviews. Suzaan Boettger. "A love-letter to America" is how Robert Hughes ... p/ articles/ mi_m1248/ is_n10_v85/ ai_19897823/ print

Salon | Art history for smarties
BY CHARLES TAYLOR | you don't have to agree with everything Robert Hughes says to admire how damned hard he works to embody an almost old-fashioned idea of ... may97/ pbs970523.html

The United States of America is an immigrant society, and has been since the beginnings of European settlement in the late 16th century time/ magazine/ article/ 0,9171,986375-1,00.html

Master of All He Surveys - By Luc Sante - Slate Magazine
American Visions: The Epic History of Art in America By Robert Hughes Knopf; 635 pages; $65. Hughes in America. Few things in school were more comforting ... id/ 3296/

About the author (1997)

Robert Hughes was born in Australia in 1938. He has lived and worked in the United States since 1970. He has been art critic for TIME magazine for more than 25 years. His books include monographs on painters Lucien Freud and Frank Auerbach, a history of Australian art, Heaven and Hell in Western Art (1969), The Shock of the New (1981), The Fatal Shore (1987), a book of social criticism entitled The Culture of Complaint (1995), Barcelona (1992), and a collection of reviews, Nothing If Not Critical (1990). Hughes is the recipient of a number of awards and prizes for his work, most recently an Academy Award in Literature from the American Academy of Arts and Letters.

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