Journal of the American Musicological Society, Volume 50

Absolute Music aesthetic American Musicological Society analysis artistic Bach Bach's Berlin Brahms Brahms's Burnham Cambridge University Press Carl Dahlhaus century Clara composer composer's compositions concert context critical cultural discussion distance E. T. A. Hoffmann early edition essay example Fantasie final Flegeljahre flute Franz Friedrich genre German Haydn Hotteterre Ibid idea ideal images instrumental music interpretation Jean Paul Johann Journal Kunst Leben Leipzig letter London Ludwig van Beethoven medieval melody motet movement musicians Musicology Musik musikalische narrative nineteenth nineteenth-century nuns Obrecht Opera original Oxford passage Pastoral Symphony Paul Hindemith performance pianist piano played Pleyel poetic polyphony popular music program music programmatic recent Renaissance repertory Requiem Richard Richard Taruskin Robert Schumann Roesner Romantic scherzo Schubert sf sf sf sonata sonata form song storm Stravinsky style Taruskin Thayer-Forbes theme theory tion tonal tradition Vienna Wackenroder Wagner Wegman Werke writing York