In this, her fifth collection, Diane Fahey explores diverse settings in Venice, Scotland and Australia. She is also the inner traveller, revisiting sites of trauma and hard-won knowledge in youth and adult life. The core of the book is a kind of reckoning in which the body itself, layered with memories, becomes the ultimate focus. Jordie Albiston's first collection of poetry documents the complex worlds of music and memory, history and art, from the perspectives of such figures as Frida Kahlo, Emily Dickinson, the witches of Salem, Ahab and Frankenstein. Voicing the unspoken languages of the body, these poems negotiate the corporeal narrative of anorexia, abortion, conception and desire with an elegant tension between content and form.
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A Modern Fascicle
Black Iris III
After the Hangings
Susanna and the Elders
Three Short Pieces for Flute
Australia Council belly beneath blue body breast breath candy candy love close cloud crimson curled dance dark death Diane Fahey Diego Rivera door dream drop dusk dust Emily Dickinson eucalypts eyes face fall fear feel fern fingers flesh floor flower Frida Frida Kahlo garden Georgia O'Keeffe girls glass gold Goody Carrier Graveside Visit green grey hair hand Hawthornden Castle hear heart inside Jordie Albiston Katoomba Falls kill leaf leaves light live look Marriage of Figaro Melbourne Melbourne General Cemetery memory Michel Wright mirror mother Nervous Arcs never nice afternoon night pain pink poem Poetry rain remember rock shadow silence skin sleep slowly smile soul sound stare stone story stroll Susanna thighs things thread tongue touch trees tremble turn voice walk watch Wentworth Falls wind wings witch woman words