Schubert Studies: Problems of Style and Chronology
This collection of articles, written by European, American and British scholars, clarifies problems of style and chronology in the music Schubert composed during the last decade of his life. Althought O. E. Deutsch's documentary biography and memoirs set new milestones in Schubert research, they left some problems of chronology unanswered. Some of the essays in this volume examine or re-examine these problems, using different methods. Robert Winter, in the longest essay, proposes numerous re-datings of works composed between 1822 and 1828 which result from a careful examination of types of paper and watermarks. Other contributors point out the limitations of applying stylistic criteria as the basis for the dating of individual works. The articles touch on all areas of Schubert's output, with the emphasis on his songs, theatre music, and orchestral and chamber works. Althought this book will be of primary interest to musicologists, and others interested in Schubert, the essays concerned with song and the theatre will also attract a wider readership.
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ELIZABETH NORMAN McKAY
Possibilities and limitations of stylistic criticism in the dating
Paper studies and the future of Schubert research
REINHARD VAN HOORICKX
accompaniment Adagio Alfonso und Estrella allegro appears Arnulf autograph bars bass Beethoven beginning bert bifolium catalogue chorus Claudius complete composed composition copy dated death Die Schweizerfamilie Documents dramatic edition Eginhard ensemble example Fierrabras finale flat major Trio Florinda fragment Franz Schubert G major German Gesellschaft der Musikfreunde Goethe Hilmar instrumental Karntnertor-Theater Kassel later leaves libretto Lieder lines London lyrical major Symphony manuscript March Maurice J. E. Brown Melinde melodrama melody minor movement Mozart O. E. Deutsch opera passage performed phrase piano poem poetry probably Psalm XCII published quintet recitative Rellstab revision rhythm rhythmic Roland Romantic Salomon Sulzer scene scherzo Schu Schubert wrote score second subject second version singer Singspiel sketches solo Sonata song Spaun stanza staves String Quartet style Sulzer theatre thematic theme tion type VIId verse Vienna Vienna SB MH Viennese vocal voice watermark Werke Wien words write written Zauberharfe