Verdi at the Golden Gate: Opera and San Francisco in the Gold Rush Years

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University of California Press, Dec 22, 2023 - Music - 344 pages
Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been a rougher town than Gold Rush San Francisco, yet there has never been a greater frenzy for opera than developed there in these exciting years.

How did this madness for opera take root and grow? Why did the audience's generally drunken, brawling behavior gradually improve? How and why did Verdi emerge as the city's favorite composer? These are the intriguing themes of George Martin's enlightening and wonderfully entertaining story. Among the incidents recounted are the fist fight that stopped an opera performance and ended in a fatal duel; and the brothel madam who, by sitting in the wrong row of a theater, caused a fracas that resulted in the formation of the Vigilantes of 1856.

Martin weaves together meticulously gathered social, political, and musical facts to create this lively cultural history. His study contributes to a new understanding of urban culture in the Jacksonian–Manifest Destiny eras, and of the role of opera in cities during this time, especially in the American West. Over it all soars Verdi's somber, romantic music, capturing the melancholy, the feverish joy, and the idealism of his listeners.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been
 

Contents

Prologue
1
PART I
7
Toward a Theatre
9
The First Opera
18
The Celebrity Sopranos
32
More of Ernani and the First Resident Company
44
Anna Bishop and Judith Nabucco
50
Ernani Nabucco I Lombardi and I due Foscari
67
Success of the MaguireLyster Company and Failure of Rigoletto
176
The Annus mirabilis San Francisco Mad for Opera
189
Epilogue
201
Opera Premieres in San Francisco 1851 Through 1860 with Theatre Cast and Number of Performances
213
Chief Theatres for Opera in San Francisco 185160
227
Transpositions and Tuning A in San Francisco
233
Verdis Operas World Western Hemisphere United States and San Francisco Premieres with Casts for San Francisco
237
Reviews of San Francisco Premieres and Early Performances of Macbeth I masnadieri and Luis a Miller
247

Economic Decline I trovatore in Excerpts and the Vigilantes of 1856
89
Maguire His Opera House and the Bianchis
109
Il trovatore Premiered Ernani Revived
125
The Bianchis Produce La traviata and Attila
140
Theatrical Scenery and Styles Traviata and the New Realism
153
A Duel and a Period of Operatic Doldrums
164
Performances of Verdis Operas in San Francisco by Decade 1851 Through 1899
253
Notes
257
Works Cited
303
Index
309
Copyright

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About the author (2023)

George Martin is the author of many books about Verdi and opera generally, among them The Opera Companion (fourth edition, 1991) and Verdi, His Music, Life and Times (fourth edition, 1992). He lives and writes in Kennett Square, Pennsylvania.

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