Television: Critical Concepts in Media and Cultural Studies, Volume 3Toby Miller Bringing together the most important writings on television in theoretical, historical, empirical and political terms, from the USA and Europe, with significant coverage of other international works, this collection demonstrates television's global significance, as a field of study, to disciplines across both the humanities and social sciences. |
Contents
Runaway production runaway consumption runaway | 20 |
how lifetime got its groove 19841997 | 48 |
sport and television | 92 |
issues of exploitation | 110 |
Ethnography | 131 |
what kind of anthropological object is it? | 147 |
Television in the lives of the homeless | 168 |
the place and space | 182 |
the making of a national | 210 |
creating a discursive space | 234 |
Effects studies | 255 |
symptom or cause of violence? | 282 |
Violence on television in Asia | 300 |
Impact of watching international television programs | 354 |
Common terms and phrases
Aboriginal aggressive behavior American Ashok Kumar audience Australian Benin City boys broadcast advertising Budweiser cable characters Claritin commercial consumer consumption context critical cultural documentary domestic violence dominant Draft Guidance DTC advertising economic effects episode example exposure FDA's female film girls Glaxo Wellcome global Hello Zindagi Hollywood homeless Hum Log images indigenous individual industry interviews Journal Karen Kiosko Budweiser Lifetime Lifetime's living room male mass media media violence middle-class narrative physical activity police political economy popular pornography prescription drug prescription drug advertising Press problem programs promotion Psychol Puerto Rican relation relationship response role screen sexual soap opera social society structure studies summaries supra note Susa television viewing television violence television watching theory tion traditional viewers watch television women workers working-class WSAYO Yuendumu