To the Lighthouse

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Harcourt Brace Jovanovich, 1989 - Fiction - 209 pages
266 Reviews

“Radiant as [To the Lighthouse] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality.”—Eudora Welty, from the Introduction

 

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

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I enjoyed the beautiful writing. - LibraryThing
at first it was very difficult to read it continously. - LibraryThing
There is no plot, there is only rambling. - LibraryThing
Also, I was very disappointed in the ending. - LibraryThing
The writing style was fascinating. - LibraryThing
The epitome of subjectivity in writing. - LibraryThing

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User Review  - aoibhealfae - LibraryThing

This is a difficult book to read and to like unless you've reached that state of mind where you can digest words without even actively trying to understand the whole winding paragraphs. 'To the ... Read full review

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User Review  - stuart10er - LibraryThing

I thought that I would be put off by the writing style - but I actually found the "stream of thought" worked well for me. However, as I read this novel, regarded by many as one of the greatest of the ... Read full review

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About the author (1989)

Virginia Woolf was born in London, the daughter of the prominent literary critic Leslie Stephen. She never received a formal university education; her early education was obtained at home through her parents and governesses. After death of her father in 1904, her family moved to Bloomsbury, where they formed the nucleus of the Bloomsbury Group, a circle of philosophers, writers and artists. As a writer, Woolf was a great experimenter. She scorned the traditional narrative form and turned to expressionism as a means of telling her story. Mrs. Dalloway (1925) and To The Lighthouse (1927), her two generally acknowledged masterpieces, are stream-of-consciousness novels in which most of the action and conflict occur beneath a surface of social decorum. Mrs. Dalloway, set in London shortly after the end of World War I, takes place on a summer's day of no particular significance, except that intense emotion, insanity, and death intrude.To the Lighthouse's long first and third sections, each of which concerns one day 10 years apart, of the same family's summer holidays, are separated and connected by a lyrical short section during which the war occurs, several members of the family die, and decay and corruption run rampant. Orlando (1928) is the chronological life story of a person who begins as an Elizabethan gentleman and ends as a lady of the twentieth century; Woolf's friend, Victoria Sackville-West, served as the principal model for the multiple personalities. (The book was made into a movie in 1993.) Flush (1933) is a dog's soliloquy that, by indirection, recounts the love story of Robert Browning and Elizabeth Barrett Browning and their elopement and life in Florence. Her last short novel, Between the Acts (1941), was left without her final revision, but it is, nonetheless, a major representation of a society on the verge of collapse. Having had periods of depression throughout her life and fearing a final mental breakdown from which she might not recover, Woolf drowned herself in 1941. Her husband published part of her farewell letter to deny that she had taken her life because she could not face the terrible times of war. Leonard Woolf also edited A Writer's Diary (1953), which provides valuable insights into his wife's private thoughts and literary development. Equally informative are his own autobiographies, particularly Beginning Again and Downhill All the Way (1967), and The Letters of Virginia Woolf and Lytton Strachey . Virginia Woolf's Granite and Rainbow contains 27 essays on the art of fiction and biography. There are many sidelights on Woolf in the writings, letters, and biographies of other members of her Bloomsbury circle, such as Roger Fry, John Maynard Keynes (see Vol. 3), and Lytton Strachey (see Vol. 3). Also casting much light on her life, thought, and creative processes are The Common Reader (1925), The Second Common Reader (1933), A Room of One's Own (1929), Three Guineas (1938), The Captain's Death Bed and Other Essays, The Death of the Moth and Other Essays (1942), and various collections of her autobiographical writings, diaries, and letters. In addition, in recent years there has been a veritable industry of writers dealing with Woolf and her work.

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