Science Fiction Culture

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University of Pennsylvania Press, 2000 - Literary Criticism - 317 pages
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In a century that has taken us from the horse and buggy to the world wide web, science fiction has established itself as the literature to explore the ways in which technology transforms society while its counterpart, genre fantasy, insistently reminds us of the magical transformations of the individual in response to the demands of the social. So it should come as no surprise that the fans and producers of these genres come together to create the culture of the future around the ideal that tales of wonder about the future and the imaginary past can be shared as both symbolic communication and social capital.

In Science Fiction Culture, Camille Bacon-Smith explores the science fiction community and its relationships with the industries that sustain it, including the publishing, computer, and hotel/convention industries, and explores the issue of power in those relationships: Who seems to have it? Who does have it? How do they use it? What are the results of that use? In the process, Bacon-Smith rejects the two major theoretical perspectives on mass culture reception. Consumers are not passive receivers of popular culture produced by the hegemonic ideology machine that is the mass media industry, nor are they rebels valiantly resisting that machine by reading against the grain of the interpretation designed into the products they consume.

Bacon-Smith argues that the relationship between consumers of science fiction and producers is much more complex than either of these theories suggests. Using a wide range of theoretical perspectives, she shows that this relationship is based on a series of continuing negotiations across a broad spectrum of cultural interests.

  

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User Review  - Murphy-Jacobs - LibraryThing

Good -- if dated, now -- exploration of the specialized communities that have developed around Science Fiction -- fandom, conventions, history -- and the forces shaping and changing them through the ... Read full review

Contents

Introduction
1
Creating the Landscape
7
The Secret Masters of Fandom
11
Worldcon Mobile Geography in Real Time
31
The Cyberscape GEnie and the Rise of the Internet
63
The Women Were Always Here The Obligatory History Lesson
95
Women in Science Fiction The Backlash and Beyond
109
Gay and Lesbian Presence in Science Fiction
135
From Fan to Pro Getting Published
191
BestSellers Short Fiction and Niches
213
Laboring in the Fields of Cultural Production
243
Bulletin Boards EMail and Usenet
267
Notes
269
Bibliography
299
Index
313
Acknowledgments
319

Youth Culture
155
Sexual Identity and Fandom
173

Common terms and phrases

Popular passages

Page 304 - Haraway, Simians, Cyborgs, and Women: The Reinvention of Nature, New York: Routledge, 1991, p.

References to this book

Shakespeare After Mass Media
Richard Burt
No preview available - 2002
Publishing the Family
June Howard
Limited preview - 2001
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About the author (2000)

Camille Bacon-Smith is the author of several books, including Enterprising Women: Television Fandom and the Creation of Popular Myth, also available from the University of Pennsylvania Press, The Face of Time, and Eyes of the Empress.

Bibliographic information