Listening as Spiritual Practice in Early Modern Italy

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University of California Press, Jul 21, 2011 - Music - 235 pages
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The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences—such as tonal music—began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell’Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell’Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.
  

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Contents

Introduction
1
Rapt Attention
15
Aural Collecting
35
Proper Listening
66
Noble and Manly Understanding
95
From Gusto to Goût
121
Lelio Guidiccioni Della Musica Transcription and Translation
135
Notes
157
Bibliography
197
Index
213
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About the author (2011)

Andrew Dell’Antonio is Professor in the Musicology/Ethnomusicology Division at the University of Texas at Austin, Butler School of Music. He is a former Mellon Fellow at the Harvard-Villa I Tatti Center for Italian Renaissance Studies and the editor of Beyond Structural Listening? Postmodern Modes of Hearing (UC Press).

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