Feminism: The Essential Historical WritingsMiriam Schneir Here are the essential historical writings of feminism. Many of these works, long out of print or forgotten in what Miriam Schneir describes as a male-dominated literary tradition, are finally brought out of obscurity and into the light of contemporary analysis and criticism. Included are more than forty selections, coveting 150 years of writings on women's struggle for freedom -- from the American Revolution to the first decades of the twentieth century. This updated, wide-ranging collection encompasses the crucial issues of women's oppression. A surprising degree of continuity between the ideas of the old and the new feminism is evident throughout. In her selection, Miriam Schneir has by passed writings that deal exclusively with the outdated topic of suffrage in an effort to focus attention on the still unsolved feminist problems: marriage as an instrument of oppression; woman's desire to control her own body; the economic independence of women; the search for selfhood. This richly diverse collection contains excerpts from books, essays, speeches, documents, letters, as well as poetry, drama, and fiction. Extensive commentaries by the editor help the reader see the historical context of each selection. |
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Page 182
... HELMER . How do you mean ? NORA ( after a short silence ) . Does not one thing strike you as we sit here ? HELMER . What should strike me ? NORA . We have been married eight years . Does it not strike you that this is the first time we ...
... HELMER . How do you mean ? NORA ( after a short silence ) . Does not one thing strike you as we sit here ? HELMER . What should strike me ? NORA . We have been married eight years . Does it not strike you that this is the first time we ...
Page 184
... HELMER ( jumping up ) . What do you mean to say- ? NORA . I must stand quite alone if I am ever to know myself and my surroundings ; so I cannot stay with you . HELMER . Nora ! Nora ! NORA . I am going at once . I daresay Christina will ...
... HELMER ( jumping up ) . What do you mean to say- ? NORA . I must stand quite alone if I am ever to know myself and my surroundings ; so I cannot stay with you . HELMER . Nora ! Nora ! NORA . I am going at once . I daresay Christina will ...
Page 186
... HELMER . Then there is only one explanation possible . NORA . What is that ? HELMER . You no longer love me . NORA . No ; that is just it . HELMER . Nora ! -Can you say so ! NORA . Oh , I'm so sorry Torvald ; for you've always been so ...
... HELMER . Then there is only one explanation possible . NORA . What is that ? HELMER . You no longer love me . NORA . No ; that is just it . HELMER . Nora ! -Can you say so ! NORA . Oh , I'm so sorry Torvald ; for you've always been so ...
Contents
ABIGAIL ADAMS Familiar Letters of John Adams | 2 |
FRANCES WRIGHT | 18 |
GEORGE SAND Indiana | 25 |
Copyright | |
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American Anthony appear become believe better called cause century character civil consider convention course demand dependence duties early earn economic effect England equal existence fact feel female feminist force freedom girls give hands HELMER hold human husband ignorance individual industry interest labor lady leisure less lives look male marriage married means meeting mind moral mother movement nature never NORA opinion organized political position present prostitution protection question reason relation remains respect result sense sexual slaves social society speak stand suffering suffrage things tion true truth United virtue wages whole wife woman women write York