Ian Fairweather (1891-1974) is widely acknowledged as one of the most important Australian artists of the twentieth century and his art is the subject of fresh interpretation in this series of essays edited by Murray Bail. Fairweather travelled extensively throughout Asia and his sojourns in China, the Philippines and Bali were the source of inspiration for many of his paintings. His particular form of figurative abstraction owes much to his fascination with Chinese calligraphy, which he studied in Shanghai and Beijing during the 1930s. Joanna Capon follows in Fairweather's footsteps through China and Pierre Ryckmans applies an ethical model of traditional Chinese painting to explain the artist's obsession with the act of painting.
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abstract Art and Australia Art of Australia artist Australian Art Australian Painting Bali Bibl Bribie Island Buleleng Cairns cardboard on hardboard catalogue Cézanne China Chinese cm sight colour composition cubism Daryl Lindsay Drawings of Ian Drunken Buddha Exhibition Fairweather Retrospective Fairweather’s figures Gallery of Australia Gallery of Victoria gouache and pencil gouache on cardboard gouache on four gouache on paper Hangchow Huchow Ian Fairweather James Gleeson July June Landscape London Manila Melbourne Cat Museum National Gallery Niagara oil and pencil paint and gouache painter Peking pencil on cardboard pencil on paper Philip Bacon Philippines post-impressionism Private collection Prov Queensland Art Gallery raft Redfern Gallery right with monogram September Shalimar sheets of cardboard Signed bottom right Signed lower left Signed lower right Slade Smith South Wales Sydney Cat Sydney Morning Herald synthetic polymer paint Temple TheDrawings TheDrawings of Ian Unsigned watercolour on paper