| Alain Silver, James Ursini - Performing Arts - 2004 - 340 pages
This text identifies a handful of plot elements that consistently recur within film noir and analyses in depth the memorable pictures that, while being vivid prototypes of ... | |
| Alain Silver, James Ursini - Performing Arts - 1999 - 359 pages
In the wake of the remarkable success of Film Noir Reader, this new collection further explores a genre of limitless fascination -- and one that continues to inspire and ... | |
| Alain Silver, James Ursini - Performing Arts - 2005 - 176 pages
Los Angeles has always been as much a star in film noir as any actor, be it Humphrey Bogart, Barbara Stanwyck, Burt Lancaster, Ava Gardner or Jack Nicholson. In L.A. Noir: The ... | |
| Chris Roberts - Music - 2004 - 328 pages
(Book). Lou Reed has been art-rocker, iconoclast, contrary noise merchant, and junkie, yet he's always been fascinating. Only David Bowie, arguably, has re-invented himself as ... | |
| Mark T. Conard, Robert Porfirio - Performing Arts - 2007 - 268 pages
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For ... | |
| Alain Silver, James Ursini - Performing Arts - 1997 - 348 pages
In this greatly expanded third edition, Alain Silver and James Ursini turn their gaze for the first time upon the vampire films released during the past five years, including ... | |
| Alain Silver - Biography & Autobiography - 1995 - 414 pages
"There was something about Robert Aldrich's artistic temperament that enabled him to transcend the apparent vulgarity of so many of his motion picutres. Besides the great films ... | |
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