Auditory Scene Analysis: The Perceptual Organization of SoundAuditory Scene Analysis addresses the problem of hearing complex auditory environments, using a series of creative analogies to describe the process required of the human auditory system as it analyzes mixtures of sounds to recover descriptions of individual sounds. In a unified and comprehensive way, Bregman establishes a theoretical framework that integrates his findings with an unusually wide range of previous research in psychoacoustics, speech perception, music theory and composition, and computer modeling. |
Contents
Chapter 2 | 47 |
Spatial Location | 73 |
Timbre | 92 |
Cumulative Effects of Repetitions | 128 |
Temporal Relations | 143 |
Competition among Alternative Organizations | 165 |
Interactions with Vision | 181 |
Chapter 3 | 213 |
Explanations of Violations of Exclusive Allocation | 618 |
Chapter 8 | 641 |
SchemaBased Stream Segregation | 665 |
Primitive Auditory Organization in Music | 674 |
Auditory Organization in Speech | 684 |
Duplex Perception and the Problem of Exclusive Allocation | 690 |
Directions for the Future | 697 |
Notes | 707 |
Chapter 4 | 395 |
Chapter 5 | 455 |
Chapter 6 | 529 |
Chapter 7 | 595 |
Glossary | 729 |
| 737 | |
| 763 | |
Other editions - View all
Auditory Scene Analysis: The Perceptual Organization of Sound Albert S. Bregman No preview available - 1994 |
Auditory Scene Analysis: The Perceptual Organization of Sound Albert S. Bregman No preview available - 1994 |
Common terms and phrases
acoustic alternation amplitude amplitude modulation asynchrony auditory scene analysis auditory stream auditory system basilar membrane Bregman capturing changes chapter coherent complex tone consonant continuity illusion created cues cycle dissonance effect evidence example exclusive allocation experiment explain fact factors figure formants frequency components frequency modulation frequency proximity frequency region frequency separation fundamental frequency fuse fusion Gestalt glide global harmonic relations harmonic series hear heard inharmonic intensity listeners loud louder masker masking melody mixture modulation monaural msec neural noise burst Noorden notes occur octave onset organization partials pattern perceived perceptual phoneme pitch present primitive process properties psychoacoustic pure tone quency rhythm schema-based schemas semitones sensory separate streams sequence of tones sequential grouping signal similar simultaneous single spectral spectrogram spectrum speech sounds stimulus stream segregation subset syllable synchronous target temporal theory timbre tion trajectory transition visual voice vowel Warren
Popular passages
Page 739 - Perception of temporal order in speech: The role of vowel transitions. Canadian Journal of Psychology, 27, 441-449.