Brought to Light II: Contemporary Australian Art 1966-2006 from the Queensland Art Gallery CollectionBrought to Light II: Contemporary Australian Art 1966-2006 includes more than 60 commissioned texts on key works in the Gallery's Australian collection, including painting, sculpture, installation, video, photography, printmaking, glass, ceramics and textiles. Eminent curators, art historians and scholars, have contributed to the publication. Sebastian Smee explores Fred Williams's 'Australian landscape' series of the 1960s and 1970s, curator John Murphy traces the life of the Australian adventurer-writer Ernestine Hill in his discussion of Sam Fullbrook's 1970 portrait, and the assemblage art of Rosalie Gascoigne is discussed by writer Mary Eagle. Brisbane-based art theorist Rex Butler examines the Australian landscape tradition in the work of Queensland artist William Robinson, anthropologist Howard Morphy explores the creativity of recent Yolngu art from Arnhem Land, curator Hetti Perkins contributes a study of Michael Riley's photographic and cinematic oeuvre, and Queensland Art Gallery curators Suhanya Raffel and Bruce McLean provide insight into recent works by Fiona Hall and the Hermannsburg Potters respectively. Features over 500 illustrations (many full-page). |
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Aboriginal art abstract aesthetic Arkley Art Gallery Foundation Aurukun Australian art Australian landscape balmarra batik Booth Brisbane Canberra canvas Centre Five ceremonial Clifford Possum Tjapaltjarri colour conceptual art Contemporary Art corroboree created culture curator dance dots Dreaming early Ernestine Hill exhibition catalogue film Fullbrook Gallery Foundation Grant Gallery of Australia Gallery of Victoria Gallery's glass Guan Wei Hanssen Pigott Hermannsburg Howard Arkley Image courtesy Indigenous Juan Davila Klippel land Licensed by Viscopy look Melbourne Modern Art Moffatt mother Museum Namarari narrative National Gallery natural pigments objects ochre painter panels Papunya Papunya Tula performance Peter photographs political portrait posters pots practice Queensland Art Gallery rainforest relationship Riley Rover Thomas sculpture South Wales space story studio surface Sydney symbols Synthetic polymer paint Thaiday Tiwi Tjapaltjarri Tony Tuckson Torres Strait Islander Tracey Moffatt traditional Tuckson Tyndall University Untitled Utopia viewer visual Yolngu



