Camera Atomica

Front Cover
John O'Brian
Black Dog Publishing Limited, 2015 - Photography - 304 pages
A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. 'Camera Atomica' explores the intimate relationship between photography and nuclear events, to uncover how the camera lens has shaped public perceptions of the atomic age and its anxieties. Photographs have a crucial place in the representation of the atomic age and its anxieties. 'Camera Atomica 'examines narratives beyond the "technological sublime" that dominates much nuclear photography, suppressing representations of the human form in favour of representations of B-52 bombers and mushroom clouds. The book proposes that the body is the site where the social environment interacts with the so-called "atomic road": uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Cameras have both recorded and - in certain instances - provided motivation for the production of nuclear events. Their histories and technological development are intimately intertwined. All photographs, including nuclear photographs, have the capability to function affectively by working on the emotions and fascinating audiences. Through a wide range of visual documentation, 'Camera Atomica' raises questions such as: what has the role of photography been in underwriting a public image of the bomb and nuclear energy? Has the circulation of photographic images heightened or lessened anxieties, or done both at the same time? How should the different visual protocols of photography be understood? SELLING POINTS: * A comprehensive, extensively illustrated survey of photographic documentation relating to nuclear events from 1945 onwards. * Features essays by photographers, art historians, artists and curators that explore the links between photography and atomic narratives within the socio-political, technological and aesthetic contexts of postwar modernity. * Reveals the human dimension of nuclear reactors, weapons testing, uranium mining and processing, and radiation research. * Includes work by famed photographers and artists including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand. 280 colour and b/w illustrations

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About the author (2015)

John O'Brian is a curator, art historian and writer who has published more than a dozen books. He has taught art history at the University of British Columbia since 1987. During his tenure as the Brenda & David McLean Chair in Canadian Studies, UBC from 2008 to 2011, he explored the engagement of photography with the atomic era in Canada.

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