Close Listening: Poetry and the Performed Word
Oxford University Press, 1998 - Literary Criticism - 390 pages
Close Listening and the Performed Word brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sounds of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens many new avenues for the critical discussion of the sound and performance of poetry, with special attention to innovative work. More important, the essays collected here offer brilliant and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art. The contributors--including Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe--cover topics that range from the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings and to new imaginations of prosody. Such approaches are intended to encourage new forms of "close listenings"--not only to the printed text of poems, but also to tapes, performances, and other expressions of the sounded word. With readings and "spoken word" events gaining an increasing audience for poetry, Close Listening provides an indispensable critical groundwork for understanding the importance of language in--and as--performance.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
acoustic aesthetic African American anthology Antin audience aural ellipsis avant-garde Bamboo Ridge Baraka Black Arts Black Arts Movement called Charles Charles Bernstein Charles Olson contemporary poetry context created critical culture Dada David Antin dialect discussion effect English essay experience expression free verse Ginsberg Hawai‘i hear Hopkins Hopkins's human Iliazd Jackson Mac Low language Lettrist linguistic listening literary literature London lyric mance material Mayan meaning meter mode movement object Olson oral patterns phrase pidgin poet poet's poetic poetry reading Popol Vuh possible present prose read aloud reader recitation recording relation rhetoric rhyme rhythm rhythmic Robert Robert Creeley semantic sense signifier slam social sound poem sound poetry space speaker speaking speech spoken Steve McCaffery stress structure syllables talk tape tion tradition University Press verbal visual performance vocal voice vowels words writing written Yamanaka York zaum