Contested Culture: The Image, the Voice, and the LawJane M. Gaines examines the phenomenon of images as property, focusing on the legal staus of mechanically produced visual and audio images from popular culture. Bridging the fields of critical legal studies and cultural studies, she analyzes copyright, tr |
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actor advertising aesthetic American Anglo-American argued argument artist authorship Barbara Reynolds Bela Lugosi body Burrow-Giles camera capital celebrity character Cinema claim commercial common law concept contemporary contract copy copyright law court creative critical legal studies critique cultural studies DC Comics Dior discussion Dracula E. P. Thompson Edelman entertainment law film Ibid ideology industry intellectual property doctrine intellectual property law issue Jacqueline Onassis Judge labor legal doctrine legal subject licensing literary London look-alike Lugosi Marxist merchandising monopoly motion picture Nancy Sinatra Nimmer original Oscar Wilde Ownership Pashukanis performance person photographic political portrait pose Press produced protection relation reproduced right of privacy right of publicity Roy Rogers Sarony Sarony's says Screen secondary meaning semiotic signs Sinatra social sound recording sound-alike Star System stardom structure style Superman technologies television theory tion trademark law Translated unfair competition Universal Pictures University voice Warner Brothers York
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Bibliographic information
| Title | Contested Culture: The Image, the Voice, and the Law Cultural studies of the United States |
| Author | Jane Gaines |
| Edition | illustrated |
| Publisher | Univ of North Carolina Press, 1991 |
| ISBN | 0807843261, 9780807843260 |
| Length | 340 pages |
| Subjects | › › Law / Intellectual Property / General Social Science / Sociology / General |
| Export Citation | BiBTeX EndNote RefMan |