Creating Frames: Contemporary Indigenous Theatre 1967-1990Creating Frames provides the first significant social and cultural history of Indigenous theatre across Australia. As well as using archival sources and national and independent theatre company records, much of this history is drawn from interviews with individuals who have shaped contemporary Indigenous theatre in Australia - including Bob Maza, Jack Charles, Gary Foley, Justine Saunders, Wesley Enoch, Ningali, and John Harding. |
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Contents
SINGLE VOICES | 3 |
COLLECTIVE BEGINNINGS 1972 | 42 |
THE CRITICS RESPONSE | 66 |
A PRECEDENT 19731977 | 94 |
Framed by Multiculturalisms Authenticity | 127 |
No Sugar | 146 |
Honey Spot | 161 |
CREATIVE CONTROL 19901997 | 199 |
Chronology of Productions and Publications | 282 |
Notes | 288 |
Bibliography | 323 |
Common terms and phrases
Aboriginal acting active actors Arts audience Basically Black basis Black Theatre Board Bostock Bran Nue Dae Brisbane Cake cast Centre Charles collaboration conference context continued Council created critical cultural Davis described directed director discussed Dreaming early established Euro-Australian example experience Festival focus Foley frame funding Gilbert included Indigenous artists Indigenous Australians initial Islander issues Jack Davis John Koori lack land language living major Maza Melbourne narrative non-Indigenous organisations past performance personal interview Perth play playwright policies political position potential Power practice presented Press production Program published radio range Redfern relation Report response result Robert role Ross season social space specific stage story Street success Sydney Theatre Company tion tour traditional University voice Western Australia workshops writers young
References to this book
Men at Play: Masculinities in Australian Theatre Since the 1950s Jonathan Bollen,Bruce Parr,Adrian Kiernander No preview available - 2008 |