Creating Frames: Contemporary Indigenous Theatre 1967-1990
Creating Framesprovides the first significant social and cultural history of Indigenous theatre across Australia. As well as using archival sources and national and independent theatre company records, much of this history is drawn from interviews with individuals who have shaped contemporary Indigenous theatre in Australia - including Bob Maza, Jack Charles, Gary Foley, Justine Saunders, Wesley Enoch, Ningali and John Harding.
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COLLECTIVE BEGINNINGS 1972
THE CRITICS RESPONSE
A PRECEDENT 19731977
Framed by Multiculturalisms Authenticity
ON THE WAY TO A BRAN NUE DAE? 19861990
CREATIVE CONTROL 19901997
Chronology of Productions and Publications
Aboriginal and Torres Aboriginal Arts Board Aboriginal Theatre actors Adelaide AETT audience Austra Australia Council Australian theatre Basically Black Black Theatre Blacklock Bob Maza Bran Nue Dae Brian Syron Brisbane Cake Canberra Cast included Centre Cherry Pickers collaboration critical cultural Currency Press Davis's directed drama Dreamers Ernie Dingo established Euro-Australian experience Festival of Perth film focus Foley frame funding Gary Foley Gerry Bostock Ilbijerri Indige Indigenous artists Indigenous Australians Indigenous writers issues Jack Charles Jack Davis Kevin Gilbert Kooemba Jdarra Koori Kullark land rights Langton Melbourne Merritt Mudrooroo Narkle narrative National Black Nimrod Nindethana Ningali non-Indigenous Australians Noongar Oodgeroo organisations performing arts personal interview play playwright policies production Program Queensland radio interview reconciliation Ross script season social Stages of Grieving story Street Theatre Thea Theatre Company tion Torres Strait Islander tour WATC Wesley Enoch Western Australia workshops Yirra Yaakin
Men at Play: Masculinities in Australian Theatre Since the 1950s
Jonathan Bollen,Bruce Parr,Adrian Kiernander
No preview available - 2008