Dance, Drugs and Escape: The Club Scene in Literature, Film and Television Since the Late 1980s

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McFarland & Company, 2007 - Literary Criticism - 214 pages
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In the late 1980s, the rave phenomenon swept the youth culture of the United Kingdom, incorporating the generations' two newest social stimulants: modern electronic dance music and a notorious designer drug known as Ecstasy. Although the movement began in rebellion against mainstream culture, its underground dynamism soon attracted the interest of novelists, screenwriters, and filmmakers who attempted to reflect the phenomenon in their works. Through artistic and commercial popularization, the once obscure subculture was transformed into a pop-culture behemoth with powerful links to the entertainment industry. This study deals with the transformative effects of film, television and literature on club culture. Chapters furthermore reflect club culture's own effect on crime, ethnicity, sexuality and drug use. As the study traces artistic depictions of club culture's development, each chapter focuses on individual books, films and television shows that reflect the transformation of the club culture into what it is today.

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Contents

Preface
1
Idealism to Economics
17
Crime and Club Life
51
Copyright

6 other sections not shown

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Common terms and phrases

24 Hour Party Acid Casuals Acid House Alex Garland Although amphetamine Ardwick Green artistic aspects of club attempt audience ayahuasca Beverly Hills 90210 Bill Drummond Black Album Blincoe chapter characters Cheb Chemical Romance Circuit Party club cul club culture fiction club drug club fiction club scene clubbers cocaine counterculture crime fiction criminal crystal meth dance club dance culture Danny Detroit Detroit techno Disco Disco Biscuits Disco Bloodbath discussion DJ Keoki drug drug tourism Drummond EastEnders economic ecstasy Ecstasy Club effects electronic dance music electronic music episode ethnic experience fact Factory Records film film and television Football Firms football hooligans free party friends gay club gay dance club gay men Hakim Bey Hanif Kureishi Happy Mondays hedonism hip-hop hippies hooligans house music However Human Traffic Ibiza Inspector Morse interest Irvine Welsh Jeff Noon Jello Salad Joy Division Juan Atkins ketamine Kraftwerk Lanna lesbian lifestyle literature lives mainstream Manchester Marabou Stork Nightmares marijuana MDMA Michael Alig Midsummer Night's Rave Mixmag Morvern Callar movement narrative neo-tribalism neo-tribalist new-age night nomic North American Northern Soul novel participants party Paul Oakenfold Pete Tong plot poetic terrorism political pop music popular present Quadrophenia Queer as Folk racial ragga rather rave culture rave music ravers reggae relationship representation of club represented Rhys Ifans rock music Rushkoff's Sarah Polley science fiction seems sexual shamanism Shaun Ryder short story Simon Reynolds social sort Spike Jonze straight style subculture tale techno techno music Terrence McKenna texts theme Tinsel Town tion Tony Wilson's Trainspotting ture U.S. version UK version venue vinyl record Vurt Welsh's young youth

About the author (2007)

Stan Beeler is chair of English at the University of Northern British Columbia in Prince George, Canada.

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