Metawritings: Toward a Theory of Nonfiction

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Jill Talbot
University of Iowa Press, May 15, 2012 - Literary Criticism - 242 pages
Metawriting—the writing about writing or writing that calls attention to itself as writing—has been around since Don Quixote and Tristram Shandy, but Jill Talbot makes that case that now more than ever the act of metawriting is performed on a daily basis by anyone with a Facebook profile, a Twitter account, or a webpage. Metawritings: Toward a Theory of Nonfiction is the first collection to combine metawriting in both fiction and nonfiction. In this daring volume, metawriting refers to writing about writing, veracity in writing, the I of writing and, ultimately, the construction of writing. With a prologue by Pam Houston, the anthology of personal essays, short stories, and one film script excerpt also includes illuminating and engaging interviews with each contributor. Showcasing how writers perform a meta-awareness of self via the art of the story, the craft of the essay, the writings and interviews in this collection serve to create an engaging, provocative discussion of the fiction-versus-nonfiction debate, truth in writing, and how metawriting works (and when it doesn’t). Metawritings provides a context for the presence of metawriting in contemporary literature within the framework of the digital age’s obsessively self-conscious modes of communication: status updates, Tweets, YouTube clips, and blogs (whose anonymity creates opportunities for outright deception) capture our meta-lives in 140 characters and video uploads, while we watch self-referential, self-conscious television (The Simpsons, The Daily Show with Jon Stewart, The Office). Speaking to the moment and to the writing that is capturing it, Talbot addresses a significant and current conversation in contemporary writing and literature, the teaching of writing, and the craft of writing. It is a sharp, entertaining collection of two genres, enhanced by a conversation about how we write and how we live in and through our writing. Contributors Sarah Blackman Bernard Cooper Cathy Day Lena Dunham Robin Hemley Pam Houston Kristen Iversen David Lazar E. J. Levy Brenda Miller Ander Monson Brian Oliu Jill Talbot Ryan Van Meter

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Ryan Van Meter I Was There
Cathy Day Genesis or the Day Adam Killed the Snakes
Anonymous The Facts of the Matter
Sarah Blackman The Girl Is a Fiction
David Lazar On Dating
Brenda Miller The Dog at the Edge of the World
Ander Monson Facing the Monolith
Robin Hemley The Pickpocket Project
Lena Dunham Excerpts from Creative Nonfiction
Bernard Cooper Winner Take Nothing
Brian Oliu Adventure Island
Kristen Iversen How to Be Tough in Creative Nonfiction

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About the author (2012)

Jill Talbot is the author of Loaded:Women and Addiction and the coeditor of The Art of Friction:Where (Non)Fictions Come Together.Her work has appeared in journals such as Notre Dame Review, Under the Sun, Blue Mesa Review, Cimarron Review, Segue, and Ecotone. She is also a Bookslut contributor. She teaches nonfiction at St. Lawrence University, in Canton, New York.

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