Our Vampires, OurselvesNina Auerbach shows how every age embraces the vampire it needs, and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred years of Anglo-American cultural history. "[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from the Moldavian boonies....Auerbach has dissected and deconstructed them with the tender ruthlessness of a hungry chef, with cogency and wit."—Eric Korn, Times Literary Supplement "This seductive work offers profound insights into many of the urgent concerns of our time and forces us to confront the serious meanings that we invest, and seek, in even the shadiest manifestations of the eroticism of death."—Wendy Doniger, The Nation "A vigorous, witty look at the undead as cultural icons."—Kirkus Review "In case anyone should think this book is merely a boring lit-crit exposition...Auerbach sets matters straight in her very first paragraph. 'What vampires are in any given generation,' she writes, 'is a part of what I am and what my times have become. This book is a history of Anglo-American culture through its mutating vampires.'...Her book really takes off."—Maureen Duffy, New York Times Book Review |
Contents
Living with the Undead | 1 |
NineteenthCentury Vampires | 11 |
Byrons Ghost | 13 |
Polidori and the Phantoms | 21 |
Varneys Moon | 27 |
Friends and Lovers | 38 |
Carmillas Progress | 53 |
A Vampire of Our Own | 61 |
The Blood Is the Life | 94 |
TwentiethCentury Undeaths | 99 |
Vampires and Vampires | 101 |
Draculas and Draculas | 112 |
Feminist Oligarchies and Kingly Democracy | 147 |
Reagans Years | 163 |
Turning Back | 165 |
Getting Sick | 175 |
Other editions - View all
Common terms and phrases
American animal appeared authority became become beginning blood body Boys Bram Byron Carmilla castle century character Christopher claims Count creature culture Dark dead death decade defined Dracula dream England erotic existence eyes face father fear feed female film friendship ghost girl gives Hammer Hammer films Helsing hero horror human hunger imagination intimacy Jonathan kill later Laura least less Lestat lives London look lost Lucy Lugosi male master monster moon mortal mother movie never night novel once origin pires play Polidori political popular predator Press prey psychic vampires Renfield reprint restored romantic rules Ruthven Saint-Germain scarcely seems sexual shadow social society spirit staked Stoker's Stoker's Dracula story suggests thing tion transformation traveling turn twentieth twentieth-century University unlike vampire's Varney victim Victorian woman women York young