The Rolling Stones: Sociological Perspectives

Front Cover
Helmut Staubmann
Lexington Books, Jun 3, 2013 - Music - 254 pages
The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. Contributors approach The Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The essays in this volume focus on the question of how the worldwide success of The Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.
 

Contents

Introduction
1
Parti THE GROUP
19
Ch01 The Spider and the Fly
21
PartII COUNTERCULTURESMUSIC SCENES
41
Ch02 The AntiBeatles
43
Ch03 Exile on Main Street and the End of the Counterculture
65
PartIII MOVIES
79
Ch04 Sympathy for the Circus
81
PartIV SEXUALITYGEND ER
149
Ch07 Satisfaction
151
Ch08 The Hegemonic Masculinity of the Rolling Stones and Where They Came to Rest
175
PartV IN CONCERT
199
Ch09 Ladies and Gentlemen the Greatest Rock and Roll Band in the World
201
References
223
Index
239
About the Contributors
247

Ch05 My Name Is Called Disturbance
107
Ch06 Gimme Shelter Revisited
121

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About the author (2013)

Helmut Staubmann is professor for social theory and cultural sociology and dean of the School of Political Science and Sociology at the University of Innsbruck, Austria. His research focuses on questions of aesthetics and society.

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