What Kind of Theory is Music Theory?: Epistemological Exercises in Music Theory and Analysis

actual aesthetic analysis analytical apply Babbitt belief Brown Cambridge cause century claims cognitive common complex composer composition conception concerned considered construction course critical defined Dialectic discussion distinction domain Edited example experience explanation expression fact field formal function geometry given hearing human idea important individual interest intuitions issues kind knowledge language least linguistic listeners logical mathematics matter means measure mental method mind music theory natural notes notion object original particular passage perception performance philosophical physical piece position possible practical present Press principle problem proportions question reason reference relation representations represented result Rhetoric role scientific seems sense simplicity sort sound specific structure suggests theoretical theorists things thought tion tonal translation true truth understanding unity University University Press