Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction

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Cambridge University Press, Feb 22, 2007 - Biography & Autobiography - 329 pages
The first Hamlet on film was Sarah Bernhardt. Probably the first Hamlet on radio was Eve Donne. Ever since the late eighteenth century, leading actresses have demanded the right to play the role - Western drama's greatest symbol of active consciousness and conscience. Their iconoclasm, and Hamlet's alleged 'femininity', have fascinated playwrights, painters, novelists and film-makers from Eugène Delacroix and the Victorian novelist Mary Braddon to Angela Carter and Robert Lepage. Crossing national and media boundaries, this book addresses the history and the shifting iconic status of the female Hamlet in writing and performance. Many of the performers were also involved in radical politics: from Stalinist Russia to Poland under martial law, actresses made Hamlet a symbol of transformation or crisis in the body politic. On stage and film, women reinvented Hamlet from Weimar Germany to the end of the Cold War. This book aims to put their half-forgotten achievements centre-stage.

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Contents

Section 1
3
Section 2
13
Section 3
35
Section 4
37
Section 5
65
Section 6
77
Section 7
78
Section 8
83
Section 12
106
Section 13
107
Section 14
117
Section 15
137
Section 16
141
Section 17
150
Section 18
160
Section 19
183

Section 9
85
Section 10
88
Section 11
98
Section 20
184
Section 21
206
Section 22
265

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About the author (2007)

Tony Howard is Senior Lecturer in the English Department at the University of Warwick.

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