Women, the New York School, and Other True Abstractions

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University of Iowa Press, 2007 - Literary Criticism - 288 pages
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Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.
 

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Contents

Part Two
97
Afterword
209
Notes
223

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About the author (2007)

Maggie Nelson is a poet and essayist on the faculty of the School of Critical Studies at California Institute of the Arts. She is the author of a book of nonfiction, The Red Parts: A Memoir, as well as several books of poetry, including Jane: A Murder (finalist, PEN/Martha Albrand Award for the Art of the Memoir), The Latest Winter, and Shiner. A fourth collection of poems, Something Bright, Then Holes, is forthcoming.

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