Heinrich Heine and the Lied

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Cambridge University Press, Dec 6, 2007 - Biography & Autobiography - 378 pages
More than any other poet, Heinrich Heine has provided composers for almost two hundred years with texts for music: more than eight thousand compositions to date. Nineteenth-century composers were drawn in particular to a limited selection of Heine's early lyrical works from the Buch der Lieder and the Neue Gedichte for their songs; poems such as 'Du bist wie eine Blume', 'The sea hath its pearls' and 'Was will die einsame Träne' were set to music over and over again. In this book, Youens examines some of the reasons for Heine's popularity, especially the fact that composers in the second quarter of the nineteenth century were drawn to him for songs in radical styles, songs that redefined what Lied could be and do. Specific topics of this book include Schubert's fusion of reinvented song traditions with radical tonal procedures and the political meanings of poetry and song in Schumann's time.
 

Contents

Section 1
40
Section 2
41
Section 3
42
Section 4
89
Section 5
91
Section 6
134
Section 7
135
Section 8
158
Section 13
229
Section 14
240
Section 15
243
Section 16
255
Section 17
258
Section 18
259
Section 19
260
Section 20
265

Section 9
174
Section 10
180
Section 11
207
Section 12
227
Section 21
266
Section 22
283
Section 23
287
Section 24
304

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