Blacklines: Contemporary Critical Writing by Indigenous Australians"Aboriginal and Torres Strait Islander perspectives on contemporary cultural issues are presented in this collection of critical essays by indigenous Australians. From museums and anthropology to land rights and feminism, a range of topics are covered that touch on both indigenous and mainstream Australian history. Discussions of identity politics, the concept of Aboriginality, and aesthetic representations of indigenous people are rich with insight about the evolution of indigenous culture, with its shift from marginalization to cultural prominence in modern scholarship." |
From inside the book
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Page 88
Contemporary Critical Writing by Indigenous Australians Ian Anderson, Michele Grossman. the non - Aboriginal primary school system , and greatly influenced by Ron Bull , a Koori artist from Lake Tyers who had been for many years a pupil ...
Contemporary Critical Writing by Indigenous Australians Ian Anderson, Michele Grossman. the non - Aboriginal primary school system , and greatly influenced by Ron Bull , a Koori artist from Lake Tyers who had been for many years a pupil ...
Page 112
... Aboriginal art , startlingly different from European art , explains why Aboriginal art has been so inaccessible to non - Aboriginal people . The intellectuality and abbreviation , two of the significant features of Aboriginal art , are ...
... Aboriginal art , startlingly different from European art , explains why Aboriginal art has been so inaccessible to non - Aboriginal people . The intellectuality and abbreviation , two of the significant features of Aboriginal art , are ...
Page 206
... Aboriginal and Torres Strait Islander art : the Yiribana Gallery in focus Editor's note : Beresford's paper was subsequently published under the title ' Curating Aboriginal art ' : see Bibliography . 2 See Untitled 1992 by Emily Kame ...
... Aboriginal and Torres Strait Islander art : the Yiribana Gallery in focus Editor's note : Beresford's paper was subsequently published under the title ' Curating Aboriginal art ' : see Bibliography . 2 See Untitled 1992 by Emily Kame ...
Contents
Introduction | 1 |
identities histories knowledges | 15 |
rede finding Aboriginality | 25 |
Copyright | |
14 other sections not shown
Other editions - View all
Blacklines: Contemporary Critical Writings By Indigenous Australians Michele Grossman Limited preview - 2012 |
Blacklines: Contemporary Critical Writing by Indigenous Australians Michele Grossman No preview available - 2003 |
Common terms and phrases
Abori Aboriginal and Torres Aboriginal art academic accepted argues artists assimilation authenticity become Bell Central claim collection colonial concerned construction contemporary context continue create critical critique cultural debate defined definition discourse dominant effect essay European example experience expression fact Gallery Huggins human identity images important Indigenous Australian Indigenous women intellectual interest involved issues knowledge Koori land landscape language literature living meaning names native nature never non-Aboriginal objects painting particular past person political position practice present Press problem production provides published question race refer relation remain representation represented resistance response sense social society South Wales speak stories Studies suggested things Torres Strait Islander traditional understand University urban Western writing written