Blacklines: Contemporary Critical Writing by Indigenous Australians"Aboriginal and Torres Strait Islander perspectives on contemporary cultural issues are presented in this collection of critical essays by indigenous Australians. From museums and anthropology to land rights and feminism, a range of topics are covered that touch on both indigenous and mainstream Australian history. Discussions of identity politics, the concept of Aboriginality, and aesthetic representations of indigenous people are rich with insight about the evolution of indigenous culture, with its shift from marginalization to cultural prominence in modern scholarship." |
From inside the book
Results 1-3 of 36
Page 99
... paintings ( later institutionalised in the form of a Certificate of Authenticity ) , as an integral factor in the appreciation of the painting , became standard procedure . This ' authenticating ' procedure marked the entry and ...
... paintings ( later institutionalised in the form of a Certificate of Authenticity ) , as an integral factor in the appreciation of the painting , became standard procedure . This ' authenticating ' procedure marked the entry and ...
Page 105
... painting is clearly stated through its placement beside the work of Emily Kngwarreye and a sculpture by another artist from Utopia of a female figure featuring body designs . Furthermore , the location of Ada Bird's painting , Awelye ...
... painting is clearly stated through its placement beside the work of Emily Kngwarreye and a sculpture by another artist from Utopia of a female figure featuring body designs . Furthermore , the location of Ada Bird's painting , Awelye ...
Page 107
... painting that was painted for the purpose of narrating the travels of the famous ancestral Sisters during the period of creation , and the voice - over is a form of labelling particularly appropriate to that piece of work . Another form ...
... painting that was painted for the purpose of narrating the travels of the famous ancestral Sisters during the period of creation , and the voice - over is a form of labelling particularly appropriate to that piece of work . Another form ...
Contents
Introduction | 1 |
identities histories knowledges | 15 |
rede finding Aboriginality | 25 |
Copyright | |
14 other sections not shown
Other editions - View all
Blacklines: Contemporary Critical Writings By Indigenous Australians Michele Grossman Limited preview - 2012 |
Blacklines: Contemporary Critical Writing by Indigenous Australians Michele Grossman No preview available - 2003 |
Common terms and phrases
Abori Aboriginal and Torres Aboriginal art Aboriginal artists Aboriginal community Aboriginal culture Aboriginal literature academic aesthetic anthropologists Arnhem Land assimilation ATSIC Attwood audience authenticity Bell Blacklines Brambuk colonial construction of Aboriginality contemporary Aboriginal context corporatism critical writing critique curators debate defined discourse dispossession dominant Editor's note essay European experience feminism feminist film Gallery ginal Grampians half-caste Ian Anderson Ibid identity images Indigenous Australian Indigenous communities Indigenous women intellectual issues Jackie Huggins knowledge Koori Koori Tourism Unit land landscape language Lin Onus living Marcia Langton Melbourne Michele Grossman Morgan Mudrooroo Muecke Murri names National Park native title non-Indigenous painting political position postcolonial Queensland racial racist rape recognise relation representation resistance settler social society South Wales speak stories Studies terra nullius things Torres Strait Islander traditional University urban Victoria Wandering Girl Warlpiri Western white women wilderness Yiribana