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Philippe Mather Figures of Estrangement in Science Fiction Film
Cornelius Partsch Paul Scheerbart and the Art of Science Fiction
Richard Swope Science Fiction Cinema and the Crime of Social
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abstract alien appears argues become begins body calls capitalism century characters classic collection communication concerns contemporary continue conventional create critical cultural cyberspace Dark death detective discussion edition effect essays estrangement example existence experience explain fact familiar fantasy figure film final Frankenstein function future genre Hall historical human imagine important interest introduction limits literary literature living logic Machine Mary Mary Shelley material means Murdoch narrative audience narrator nature never notes novel offers original past Paul physical popular position possibility postmodern present problem production published question reader reality recent reference remains Scheerbart Science Fiction scientific sense social sound space spatial Star Star Trek story structure suggests telling turn University utopian Wells's writing York