Science-fiction Studies, Volume 29, Issue 2SFS Publications - Science fiction |
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Page 256
... Frankenstein . I have elsewhere noted that Frankenstein leaves behind the spatial , geographical dimension of the conventional travel narrative to enter the properly science - fictional dimension of time at the exact point where Captain ...
... Frankenstein . I have elsewhere noted that Frankenstein leaves behind the spatial , geographical dimension of the conventional travel narrative to enter the properly science - fictional dimension of time at the exact point where Captain ...
Page 257
... Frankenstein is a work of cognitive estrangement that founds a new genre ; but it is about as close to saying that as one can imagine a contemporary coming , and Scott's prescience is dazzling . In fine , I will simply say that in my ...
... Frankenstein is a work of cognitive estrangement that founds a new genre ; but it is about as close to saying that as one can imagine a contemporary coming , and Scott's prescience is dazzling . In fine , I will simply say that in my ...
Page 260
... Frankenstein story during the Victorian age , to the twentieth- century film versions by directors from James Whale to Mel Brooks . St Clair argues that the main impact of Frankenstein has been to inculcate a conservative fear of ...
... Frankenstein story during the Victorian age , to the twentieth- century film versions by directors from James Whale to Mel Brooks . St Clair argues that the main impact of Frankenstein has been to inculcate a conservative fear of ...
Contents
Philippe Mather Figures of Estrangement in Science Fiction Film | 186 |
Cornelius Partsch Paul Scheerbart and the Art of Science Fiction | 202 |
Richard Swope Science Fiction Cinema and the Crime of Social | 221 |
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