Science-fiction Studies, Volume 29, Issue 2SFS Publications - Science fiction |
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Page 171
... final words , and in spite of his physical need to adapt to a new narrative audience , remains displaced in time . Again , Moore has inverted the situation of Twain's " stranger . " Hodge's final prolepsis , pronounced after the ...
... final words , and in spite of his physical need to adapt to a new narrative audience , remains displaced in time . Again , Moore has inverted the situation of Twain's " stranger . " Hodge's final prolepsis , pronounced after the ...
Page 176
... final words by radio from a safe location in outer space . By creating a narrative audience , Clarke localizes and in a sense motivates , the telling of the death of the earth . But there is still the problem of how the story , told to ...
... final words by radio from a safe location in outer space . By creating a narrative audience , Clarke localizes and in a sense motivates , the telling of the death of the earth . But there is still the problem of how the story , told to ...
Page 231
... final scene , Murdoch stands squinting in this sunlight next to his " wife " -who no longer remembers him because she has undergone another imprinting - gazing at the Shell Beach resort town that now lies at a distance . But despite the ...
... final scene , Murdoch stands squinting in this sunlight next to his " wife " -who no longer remembers him because she has undergone another imprinting - gazing at the Shell Beach resort town that now lies at a distance . But despite the ...
Contents
Philippe Mather Figures of Estrangement in Science Fiction Film | 186 |
Cornelius Partsch Paul Scheerbart and the Art of Science Fiction | 202 |
Richard Swope Science Fiction Cinema and the Crime of Social | 221 |
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abstract alien argues artistic become C.S. Lewis characters Chion cinema classic detective cognitive contemporary context conventional create Cronenberg cultural cyberspace Dark City David Cronenberg detective fiction detective story discourse discussion displacement dystopia edition editor essays estrangement example figure film's Frankenstein Fuller future genre's Hall Hall's historical human ideological fantasy imagine Jameson Kurd Lasswitz late capitalism Lesa Lesabéndio literary literature living logic Machine Mary Shelley metaphysical detective Murdoch narrative audience narrator narrator's norm novel offers original Pallasians past Paul Scheerbart Percy Percy Shelley physical Pilgrim Award popular Pordzik postcolonial postmodern problem production rational reference representation of space Science Fiction science-fiction scientific sf film sf writers Shell Beach Shelley's simulation Sobchack social reality social space Soylent Green space-time spatial Star Trek Stover Strangers structure suggests Suvin telling Thirteenth Floor University urban utopian virtual Wells's writing York