Science-fiction Studies, Volume 29, Issue 2SFS Publications - Science fiction |
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Page 174
... readers cannot physically identify with the cultural situation of a narrator and narrative audience in this far future , they at least can do so by analogy . By identifying the story with a well - known pattern in their own history ...
... readers cannot physically identify with the cultural situation of a narrator and narrative audience in this far future , they at least can do so by analogy . By identifying the story with a well - known pattern in their own history ...
Page 179
narrative , Anderson no longer relies on the convention of silence to camouflage the temporal disparity between the narrative audience's location at the time of the telling - if the story is to be told , it must be more or less ...
narrative , Anderson no longer relies on the convention of silence to camouflage the temporal disparity between the narrative audience's location at the time of the telling - if the story is to be told , it must be more or less ...
Page 180
narrative audience . The important thing is that Heinlein's narrator addresses the narrative audience as a literal entity that exists there , in the story's future world , having all the information a listener there would have ; the ...
narrative audience . The important thing is that Heinlein's narrator addresses the narrative audience as a literal entity that exists there , in the story's future world , having all the information a listener there would have ; the ...
Contents
Philippe Mather Figures of Estrangement in Science Fiction Film | 186 |
Cornelius Partsch Paul Scheerbart and the Art of Science Fiction | 202 |
Richard Swope Science Fiction Cinema and the Crime of Social | 221 |
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