Science-fiction Studies, Volume 29, Issue 2SFS Publications - Science fiction |
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Page 188
... ( sound doesn't travel in a vacuum ) and highlights the earthbound nature of space - opera movies like Star Wars ... sounds , these elements tend to be naturalized in various ways . For instance , the characters in the fiction will behave ...
... ( sound doesn't travel in a vacuum ) and highlights the earthbound nature of space - opera movies like Star Wars ... sounds , these elements tend to be naturalized in various ways . For instance , the characters in the fiction will behave ...
Page 194
... sound of the wind or waves crashing on the beach , which deprives us of the usual emotional catharsis , creating instead a dramatic distance . Sound FX . The norm for sound effects is fidelity to the image , to the represented object or ...
... sound of the wind or waves crashing on the beach , which deprives us of the usual emotional catharsis , creating instead a dramatic distance . Sound FX . The norm for sound effects is fidelity to the image , to the represented object or ...
Page 281
... sound , but does not manage to rid the sound from the envelope of " non - pertinent " sound characteris- tics as from the shell of a chrysalis , and which will always tag along with it as superfluous sound . The shots of 2001 are edited ...
... sound , but does not manage to rid the sound from the envelope of " non - pertinent " sound characteris- tics as from the shell of a chrysalis , and which will always tag along with it as superfluous sound . The shots of 2001 are edited ...
Contents
Philippe Mather Figures of Estrangement in Science Fiction Film | 186 |
Cornelius Partsch Paul Scheerbart and the Art of Science Fiction | 202 |
Richard Swope Science Fiction Cinema and the Crime of Social | 221 |
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