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Much Ado about Nothing
The Taming of the Shrew
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accept action actor appear audience authority Beatrice becomes beginning Benedick calls characters Claudio comedies comes comic conventional Cordelia course critics daughters death desire Don Pedro effect Elizabethan essay fact father feel female feminine final force gender give hand Hero Hero's human husband ideal important John Kate Kate's kind King Lear lady language later Lear's less lines live look lord male marriage married masculine master means misogyny mother nature never offers once opening patriarchal performance perhaps person Petruchio play play's plot present production question reading reason relation role romance scene seems sense sexual Shakes Shakespeare Shrew social society speak speech stage suggests Taming tell thee thing thou tion true turn wants wife woman women young