History of Modern Art: Painting, Sculpture, Architecture, Photography1. The Sources of Modern Painting2. Realism, Impressionism, and Early Photography3. Post-Impressionism4. The Origins of Modern Architecture and Design5. Art Nouveau and the Beginnings of Expressionism6. The Origins of Modern Sculpture7. Fauvism8. Expressionism in Germany9. The Figurative Tradition in Early Twentieth-Century Sculpture10. Cubism11. Futurism, Abstraction in Russia, and de Stijl12. Early Twentieth-Century Architecture13. From Fantasy to Dada and the New Objectivity14. The School of Paris After World War I15. Surrealism16. Modern Architecture Between the Wars17. International Abstraction Between the Wars18. American Art Before World War II19. Abstract Expressionism and the New American Sculpture20. Postwar European Art21. Pop Art and Europe?s New Realism22. Sixties Abstraction23. The Second Wave of International Style Architecture24. The Pluralistic Seventies25. Postmodernism in Architecture26. The Retrospective Eighties27. Resistance and Resolution. |
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Page 135
... Kandinsky , accompanied by Marc and Münter , and the formation of the association Der Blaue Reiter ( The Blue Rider ) , a name taken from a book published by Kandinsky and Marc , which had in turn taken its name from a painting by Kandinsky ...
... Kandinsky , accompanied by Marc and Münter , and the formation of the association Der Blaue Reiter ( The Blue Rider ) , a name taken from a book published by Kandinsky and Marc , which had in turn taken its name from a painting by Kandinsky ...
Page 136
... Kandinsky painted in the high - keyed color of the Fauves . Although Kandinsky said this painting had no theme , it is clear that the composition is divided into two sections , with a scene of deluge and disturbance at the left and a ...
... Kandinsky painted in the high - keyed color of the Fauves . Although Kandinsky said this painting had no theme , it is clear that the composition is divided into two sections , with a scene of deluge and disturbance at the left and a ...
Page 354
... Kandinsky Vasily Kandinsky ( 1866-1944 ) renewed his friendship with Klee when he returned to Germany from Russia in 1921 , and in 1922 he joined the Weimar Bauhaus . One of the school's most distinguished faculty members , he taught a ...
... Kandinsky Vasily Kandinsky ( 1866-1944 ) renewed his friendship with Klee when he returned to Germany from Russia in 1921 , and in 1922 he joined the Weimar Bauhaus . One of the school's most distinguished faculty members , he taught a ...
Contents
Academic Art and the Salon | 13 |
PostImpressionism | 46 |
Gauguin | 60 |
Copyright | |
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History of Modern Art: Painting, Sculpture, Architecture, Photography H. Harvard Arnason No preview available - 2004 |
Common terms and phrases
2003 The Museum abstract art Abstract Expressionism Abstract Expressionist ADAGP aesthetic American Art architect architecture Art Nouveau artists avant-garde Bauhaus began Braque bronze building Cézanne chapter collage color composition concept construction contemporary created Cubist culture DACS Dada decorative developed Digital image drawing Duchamp early exhibition experience expression Expressionism Fauvism figure Florence forms Frank Lloyd Wright Gallery Gauguin geometric German glass Guggenheim Museum Henri Matisse imagery International Style Kandinsky Kooning landscape Le Corbusier London Matisse Modern Art Modern Art/Scala modernist Mondrian monumental movement Museum of Art Museum of Modern nature Neo-Impressionism nude NY/DACS objects Oil on canvas Pablo Picasso painters painting Paris and DACS photographs Picasso pictorial Pop art portrait Private collection Robert Salon scene sculpture shapes sixties space Stijl structure studied surface Surrealism Surrealist theme tion tradition twentieth century Untitled viewer visual wall York