History of Modern Art: Painting, Sculpture, Architecture, Photography1. The Sources of Modern Painting2. Realism, Impressionism, and Early Photography3. Post-Impressionism4. The Origins of Modern Architecture and Design5. Art Nouveau and the Beginnings of Expressionism6. The Origins of Modern Sculpture7. Fauvism8. Expressionism in Germany9. The Figurative Tradition in Early Twentieth-Century Sculpture10. Cubism11. Futurism, Abstraction in Russia, and de Stijl12. Early Twentieth-Century Architecture13. From Fantasy to Dada and the New Objectivity14. The School of Paris After World War I15. Surrealism16. Modern Architecture Between the Wars17. International Abstraction Between the Wars18. American Art Before World War II19. Abstract Expressionism and the New American Sculpture20. Postwar European Art21. Pop Art and Europe?s New Realism22. Sixties Abstraction23. The Second Wave of International Style Architecture24. The Pluralistic Seventies25. Postmodernism in Architecture26. The Retrospective Eighties27. Resistance and Resolution. |
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Page 82
... movement that affected the taste of every part of the population in both Europe and the United States . This was the movement called Art Nouveau , a French term meaning simply " new art . " Art Nouveau was a definable style that emerged ...
... movement that affected the taste of every part of the population in both Europe and the United States . This was the movement called Art Nouveau , a French term meaning simply " new art . " Art Nouveau was a definable style that emerged ...
Page 194
... movement , everything rushes forward , everything is in constant swift change . A figure is never sta- ble in front of us but is incessantly appearing and disap- pearing . Because images persist on the retina , things in movement ...
... movement , everything rushes forward , everything is in constant swift change . A figure is never sta- ble in front of us but is incessantly appearing and disap- pearing . Because images persist on the retina , things in movement ...
Page 365
... movement with all the zealous rhetoric typical of the early twentieth - century avant - garde : By vorticism we mean ( a ) Activity as opposed to the taste- ful Passivity of Picasso ; ( b ) Significance as opposed to the dull and ...
... movement with all the zealous rhetoric typical of the early twentieth - century avant - garde : By vorticism we mean ( a ) Activity as opposed to the taste- ful Passivity of Picasso ; ( b ) Significance as opposed to the dull and ...
Contents
Academic Art and the Salon | 13 |
PostImpressionism | 46 |
Gauguin | 60 |
Copyright | |
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History of Modern Art: Painting, Sculpture, Architecture, Photography H. Harvard Arnason No preview available - 2004 |
Common terms and phrases
2003 The Museum abstract art Abstract Expressionism Abstract Expressionist ADAGP aesthetic American Art architect architecture Art Nouveau artists avant-garde Bauhaus began Braque bronze building Cézanne chapter collage color composition concept construction contemporary created Cubist culture DACS Dada decorative developed Digital image drawing Duchamp early exhibition experience expression Expressionism Fauvism figure Florence forms Frank Lloyd Wright Gallery Gauguin geometric German glass Guggenheim Museum Henri Matisse imagery International Style Kandinsky Kooning landscape Le Corbusier London Matisse Modern Art Modern Art/Scala modernist Mondrian monumental movement Museum of Art Museum of Modern nature Neo-Impressionism nude NY/DACS objects Oil on canvas Pablo Picasso painters painting Paris and DACS photographs Picasso pictorial Pop art portrait Private collection Robert Salon scene sculpture shapes sixties space Stijl structure studied surface Surrealism Surrealist theme tion tradition twentieth century Untitled viewer visual wall York